LiFT Art Salon: Hammonds House
...Museum serves as one of Atlanta's premiere institutions of African American and African diasporic art. The July 12, 2015, event was titled #homeplace, an homage to bell hooks's essay about black women's homes as sites of resistance and to Hammonds...
Ramp Hollow: The Ordeal of Appalachia
...SECTION 1. The United States shall create a series of commons communities, each designed to include a specified number of households within a larger landscape that will be managed by...
Shades of Violence: Jim Crow Justice and Black Resistance in the Depression-Era South
...Alabama has provided the setting for a number of influential studies on race, labor, and radicalism in the Jim Crow South. Yet in shifting attention from Scottsboro's sleepy courthouse square...
COVID-19 Vaccine and the Right to Public Health
...went into arms and by mid-March 2021, a quarter of the population had received at least one vaccine; six months later that number rose to 85 percent. Although Black Democrats...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...Bailey has inserted into the American mind, through the channels of the gallery and the museum, indelible images of African American memory. The signature is immediately recognizable. Memory as Medicine—curated...
A Sleight of History: University of Alabama's Foster Auditorium
...throughout the 1940s and 1950s. On June 11, 1963, Foster Auditorium entered the national spotlight when Alabama governor George Wallace refused to allow two African American students, Vivian Malone and...
Nowhere [yet Everywhere] in the World: Cuban History and Sexuality in the Dramas of Abel González Melo
...connection, as many Cuban-Americans are bilingual. Our conversation, originally conducted in Spanish, has been translated into English here. [Se puede leer la versión en español aquí.] Kiddo: One Playwright's Beginnings,...
Rebuilding the "Land of Dreams": Expressive Culture and New Orleans' Authentic Future
...Community with Music” About Nick Spitzer Nick Spitzer, folklorist and anthropologist, is known for his work with community-based cultures of the Gulf Coast, American vernacular music, musicians, craftspeople, documentary media,...
The Black Civil Rights Movement on the Border
...Libraries Portal to Texas History, texashistory.unt.edu/ark%3A/67531/metapth198631/m1/1/sizes. While Guzmán references Mexicans and Mexican Americans throughout the book, they play a peripheral role, irrelevant background characters in a story revolving around black-white...
A Review of Matt Miller's Bounce: Rap Music and Local Identity in New Orleans
...bounce, tracing the music's birth, development, and connection to the long trajectory of poor and working-class African American music-making in the city. In doing so, he offers not only a...