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Call for Submissions: Queer Intersections / Southern Spaces

...2009. https://southernspaces.org/2009/same-sex-intimacy-fiction-about-southern-plantations. Chenault, Wesley, Andy Ditzler, and Joey Orr. "Discursive Memorials: Queer Histories in Atlanta's Public Spaces." Southern Spaces, February 26, 2010. https://southernspaces.org/2010/discursive-memorials-queer-histories-atlantas-public-spaces. Chesnut, Saralyn, Amanda C. Gable, and Elizabeth...

"Little Switzerland"

"LITTLE SWITZERLAND, A Private Park that is Visited by a Large Number of People" "In considering the many improvements that are going on in various parts of the city, Little...

"Looking Back and Moving Forward": The Records of the Southern Christian Leadership Conference at Emory University's Manuscript, Archives, and Rare Book Library

...Movement of the 1960s, including voter registration drives in Mississippi and Alabama, the March on Washington, and establishing citizenship schools in the South.1David Garrow, Bearing the Cross: Martin Luther King,...

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Call for Submissions: Queer Intersections / Southern Spaces

"Little Switzerland"

Nine Mile Circle Trolley, circa 1895

The Black Belt

Hillside Refuge: Tornado Shelters in Northeast Mississippi

References
1.	See King, "This book is the record of an extensive tour of observation through the States of the South and South-west during the whole of 1873, and the Spring and Summer of 1874" (i).
2.	See King's subtitle: "A Record of Journeys in Louisiana, Texas, the Indian Territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland."
3.	See Jennifer Greeson, Our South: Geographic Fantasy and the Rise of National Literature (Cambridge, MA: Harvard University Press, 2010).
4.	"The emergence of William Faulkner as the centerpiece of narrowly focused notions of Southern identity seemed to crystallize the inward-looking aspect of the discipline" (5).
5.	In a June 2001 special issue of American Literature, Houston A. Baker, Jr. and Dana D. Nelson coined the phrase "new Southern Studies" as an "emerging collective already producing a robust body of work" in rethinking southern culture (231). Baker and Nelson cite Patricia Yaeger's Dirt and Desire (2000) as one of these works. Baker's Turning South Again (2001) represents his own venture at this scholarship.
6.	Lowe cites Glissant, Foucault, Bhabha, and Brent Staples as further influences. See Paul Gilroy, The Black Atlantic: Modernity and Double-Consciousness (Cambridge, MA: Harvard University Press, 1995); Joseph Roach, Cities of the Dead (New York: Columbia University Press, 1996). One can see Lowe approaching the term "circumCaribbean" in his earlier article on these subjects; in writing of Roach's "path-breaking" work, Lowe praises him for adumbrating "a culture of performance that circles around the Caribbean rim" (71). See Lowe, "'Calypso Magnolia': The Caribbean Side of the South," South Central Review 22, no. 1, 54–80.
7.	Lowe broached this type of critical move at moments. In his final chapter, he posits a reading of Cristina García's The Agüero Sisters alongside Faulkner's Absalom, Absalom!. However, the aims of Calypso Magnolia seem to be more syncretic and surveying (317).
8.	As Brown writes in her review of Lowe's earlier "Calypso Magnolia," "I can see many benefits of using the sea… to find points of connection between the South and the Caribbean" (83).
9.	Other than a passing reference to Faulkner's Mississippi, the only traditionally defined "southern" writer to appear in Island People is Georgian Flannery O'Conner, whose relationship to depictions of race is mentioned in reference to Jean Rhys (12, 367).
10.	Joshua Jelly-Schapiro, "Introduction," in The Traveller's Tree: A Journey through the Caribbean Islands (New York: New York Review of Books, 1950, 2011), ix–x.
11.	José Quiroga, Tropics of Desire: Interventions from Queer Latino America (New York: New York University Press, 2000), xiii.
12.	The reader follows Jelly-Schapiro from Kingston's Myrtle Bank Hotel (44) to Havana's Hotel Nacional (99) and Havana Hilton (100) to San Juan's Condado Vanderbilt Hotel (175) to La Romana's Casa de Campo (216), Port-au-Prince's Hotel Oloffson (260), George Town's unnamed Hotwire.com recommendation (281), Grenada's Heliconia guesthouse (296), to Antigua's Sandals and "Florida-style condos" (309), St. John's Heritage Hotel (310), Fort-de-France's Hotel L'Imperatrice (336), Dominica's Pointe Baptiste (369), and finally, Jelly-Schapiro's last stop, Trinidad's "ugly new Hyatt" (400).
13.	A small list of Island People's inhabitants: in Puerto Rico (via the Bronx), we find Rita Moreno, Pedro Albizu Campos, Luis Muñoz Marín, Tito Puente, "El Cantante" Héctor Lavoe all sharing the same island; in the Dominican Republic, we read about tigueres, the Coliseum of Cockfighting (208), the "sex economy" (206), Trujillo, "los morenos" and a lack of "pride" in "racial hybridity" (221, 203), perejil and el corte; in Haiti, centered in the text, "at the core of the Caribbean story" (226), again revealing C. L. R. James's influence, the same perejil and el corte, Kreyol, the Massacre River, Toussaint L'Ouverture, Dessalines, the Citadel and Henri Christophe, Boukman, the Duvaliers, Tonton Macoutes, Carnival of Flowers and earthquakes where the "'earth moved like a wave and all was ruined'" (261), Titanyen and bodies, Wyclef Jean, Cité Soleil, Katherine Dunham, and "people's invisibility to their own state" (265); in the Lesser Antilles, we read about George Lamming and Rihanna, Paule Marshall, Jamaica Kincaid, Maurice Bishop, Barbuda's "breeding myth" (308), Montserrat's "volcano crisis" (315), Martinique's Aimé Césaire, Glissant, Fanon, Chamoiseau, and other "literary riches" (358), Jean Rhys and Dominica's "Candy Land for lovers of nature and calm" (365).