Eggleston's South: "Always in Color"
...Met, Eggleston uses a small, quick camera and color to build a vision that evokes as well as challenges Evans's aesthetic. Shot straight-on from eye-level in black and white, Eggleston's...
LiFT Art Salon: Gallery 72
...from the mid-nineteenth century by artists from America, Africa, and the Caribbean,"5"About Us," Hammonds House Museum. http://www.hammondshouse.org/about-us.html. Sipp draws inspiration from Gallery 72’s design and history. Though the gallery's glass walls...
Besieged Terrain
...wildlife. Because it uses heavy equipment, mountain top removal employs relatively few people. And because it's very profitable, the technique has spread. MTR has destroyed more than 1.4 million acres,...
Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby
...York: Domino Sugar Factory. From Robert Southey, to Voltaire, to Victor Schoelcher, to Aimé Césaire, abolitionists, philosophers, and poets alike have used the trope of blood to denounce the dehumanizing...
Highlighting Charleston's African American History through the Lowcountry Digital History Initiative
...history projects about underrepresented race, class, gender, and labor histories in the South Carolina Lowcountry and the interconnected Atlantic World. This inclusive approach to Lowcountry history promotes greater awareness and audience...
Recording the Places of New Orleans Hip-hop through the NOLA Hip-hop and Bounce Archive
...Art in 2010 and includes over fifty photographic portraits and audio interviews with New Orleans rappers, DJs, producers, photographers, label owners, promoters, record store personnel, journalists, and other parties involved...
Plantation Romances and Slave Narratives: Symbiotic Genres
...works seem to have been unable to avoid using the form not only to promote their way of life but also to express their deep anxieties about it. Plantation Romances...
Cultural Life in a "Chocolate City": A Review of Natalie Hopkinson's Go-Go Live
Review In Go-Go Live: The Musical Life and Death of a Chocolate City journalist and educator Natalie Hopkinson uses go-go—the ultra-local style of African American popular music that has dominated...
A Real American Horror Story: On Steve McQueen's 12 Years a Slave
...previous two films, 2008's Hunger and 2011's Shame, 12 Years a Slave is gorgeously shot, edited with a jeweler's eye, and uses its sound design to bleed scenes into one...
Desegregation, Delaware, and Civil Rights Liberalism: A Review of Brett Gadsden's Between North and South
...of segregation as meaningful political, social, economic, and historical realities, but also in the distinctions between desegregation and integration (terms far too often used interchangeably). Because of his attention to...