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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

The Makers of the Sacred Harp

...In the case of the “revival spiritual songs” that began to appear in great numbers in 1840s tunebooks, including The Sacred Harp, Steel speculates that some may have had their...

Envisioning Faulkner and Southern Literature

...African American art, see Rachel Farebrother's The Collage Aesthetic in the Harlem Renaissance (London: Ashgate, 2009). Toomer claimed that he was a "new American," and wanted to be true to...

Sonic Zora in Florida

...William R. Kenan, Jr. Professor of African American Studies, American Studies, Women's, Gender, and Sexuality Studies, and Music at Yale University. She is the author of Bodies in Dissent: Spectacular Performances...

Quilting Conversation

Introduction by Katherine Jentleson During the summer of 2018, Atlanta's High Museum of Art hosted Outliers and American Vanguard Art, an exhibition that demonstrated how self-taught artists have been major...

Prop Master at Charleston's Gibbes Museum of Art

...was African American. The stacked rows of small black boxes that support the platform suggest the unacknowledged role of African Americans in upholding this culture and sustaining its economic structure....

The Liminal Site

...with a Chinese or Japanese provenance—daphnes, gardenias, camellias, lacecap hydrangeas. (While there were several evergreen azaleas already on the property, however, I was not tempted to add to their number.)...

Whole Cloth Chintz Wedding Quilt [ca 1850]

...flowers achieved with a limited number of colors and characteristic dotted backgrounds in black or blue." More expensive than everyday fabrics, the choice of an imported chintz for a wedding...

Unquiet Emmett Till

...Author Elliott J. Gorn is the Joseph Gagliano Professor of American Urban History at Loyola University Chicago. His books and articles embrace multiple aspects of urban and American culture, particularly...