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Writing Appalachia

...example, to examine the concept of the American frontier in the writings of New Yorker James Fenimore Cooper as well as in the southern account of Anne Newport Royall, or...

Oak Ridgidness: Lindsey Freeman’s Longing for the Bomb

...York: Vintage Books, 2005); Richard Rhodes, The Making of the Atomic Bomb (New York: Simon and Schuster, 1986); Richard G. Hewlett and Oscar E. Anderson, The New World, 1939–1946: A...

Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives

...experienced the last phases of Jim Crow and the emergence of a second "New South" in Atlanta. His recollections end around 2017 as New Orleans begins removing its most prominent...

LiFT Art Salon: Hammonds House II

...to appreciate smelly old books, discolored newspapers, and indecipherable manuscripts. I blame my parents—after all, they planted the seed that is now blossoming into full-blown archive fever. #DareToBe promotional materials,...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film...

New Adventures in Tandem Ethnography

...in the corner of the room, making small talk in Cajun French even though my "project" tries to avoid nativist ideologies about Louisiana culture.2For instance, the ideologies that promote a...

Crosses, Flowers, and Asphalt: Roadside Memorials in the US South

...dirt track racers defying death in stripped-down vehicles with high performance engines, the glitz and product promotion of modern day NASCAR, and the window-tinted, stretch-limo world of rap culture. Country...

The Complete Oh-OK: Music as Child’s Play in Athens, Georgia

...for them in New York. More local dates followed—a gig opening the new late-night coffee club Night Gallery, and more shows at the 40-Watt and other Athens venues. By early...

The Liminal Site

...Absalom! In William Faulkner, Novels 1936–1940, ed. by Joseph Blotner and Noel Polk (New York: Library of America, 1990), 111. Edward O. Wilson claims we are hardwired to want to live...

References
1.	We now live in North Vancouver, British Columbia, but—since we moved during the Great Recession—we were unable to sell our Birmingham house. I have opted, therefore, to continue using the present tense and referring to the place as "our house," especially because we own no other: in North Vancouver, we are renters.
2.	Olmsted Brothers, A System of Parks and Playgrounds for Birmingham: Preliminary Report upon the Park Problems, Needs, and Opportunities of the City and its Immediate Surroundings (Birmingham: Park and Recreation Board of Birmingham, 1925), 12. Reprinted by the Birmingham Historical Society, 2005.
3.	Ibid., 20.
4.	William Faulkner, Absalom, Absalom! In William Faulkner, Novels 1936–1940, ed. by Joseph Blotner and Noel Polk (New York: Library of America, 1990), 111.
5.	Edward O. Wilson, The Future of Life (New York: Vintage, 2003), 135.
6.	Yi-Fu Tuan, Space and Place: The Perspective of Experience (Minneapolis: University of Minnesota Press, 1977), 3.
7.	Miwon Kwon, One Place After Another (Cambridge: MIT Press, 2002), 166.
8.	Apparently they were not alone. As the leading book on dogwoods puts it: "Take a typical understory plant like C. florida that thrives in the partly shady wood with nice rich organic soils all moist and acidic. Once the plant leaves the nursery for that long trunk ride to its new home, the game is just about over. Despite all encouragement and direction, most homeowners run right home and find the sunniest, driest, and nastiest site with the poorest excuse for soil available to them." See, Paul Cappiello and Don Shadow, Dogwoods (Portland, OR: Timber Press, 2005), 32.
9.	For what is quite possibly the definitive treatment of diasporic gardening, see Sarah Casteel's remarkable recent book Second Arrivals (Charlottesville: University of Virginia Press, 2007).
10.	On December 19, 2006, the National Arbor Day Foundation—hardly a political organization—published, based on the past fifteen years' climate data, its independent revision of the USDA's 1990 map of climate hardiness zones (arborday.org/media/zones.cfm), reinforcing what gardeners had been experiencing—"on the ground," as it were—for some time.
11.	Lucy Lippard, The Lure of the Local: Senses of Place in a Multicentered Society (New York: The New Press, 1997), 264. Frankly, as a modernist I'm not much concerned with accessibility, and, at the risk of sounding overly literal about it, most people seeing the garden from that direction will have had to walk at least half a mile to do so.
12.	Louise Wrinkle's Mountain Brook garden, often cited in works like Sally Wasowski with Andy Wasowski, Gardening with Native Plants of the South (Boulder, CO: Taylor Trade, 1994), is a model here, or was until she paved her creekside walkway with asphalt. (In some cases, creating such an illusion is not difficult because people are not always very observant. In 2004, a group of non-neighborhood-residents calling themselves "Friends of the Vulcan Trail," on an annual and officious "trail-clearing" mission, veered several yards off the trail to destroy two of my rhododendrons, not to mention a small tree belonging to one neighbor and a mahonia belonging to another.) But the real impulse behind this sort of restorative gardening is what Ken Druse calls "giving back" in The Passion for Gardening: Inspiration for a Lifetime (New York: Clarkson Potter, 2003), 97–143. It's a different aesthetic and ethic from Schwartz's, which I deploy elsewhere in the garden. (Why choose?) Schwartz, notes Tim Richardson, "does not try to manipulate the natural landscape in a subtle way, bending it to her ends by using nature's own palette of trees, shrubs, and flowers. For Schwartz, such an approach is lazy or even dishonest, since her argument is that even the notion that unsullied 'nature' exists out there is patently false," see Tim Richardson, ed., The Vanguard Landscapes and Gardens of Martha Schwartz (New York: Thames and Hudson, 2004), 7. Like most dogmatism, such orthodox postmodernism can overstate its point. Habitat restoration, subtly aestheticized or not, isn't about pretending unsullied nature exists, it's about ameliorating some of the sullying.
13.	Partly because of gardening's perceived distance from urban youth subcultures and electronic media, no scholarly cultural studies treatment of its pleasures exists, and the afterword below is not intended to fill that void. For an impressionistic meditation intended to "inspire" other gardeners, see Druse, The Passion for Gardening.
14.	V. Vale, Swing! The New Retro Renaissance (San Francisco: RE/Search Publications, 1998).
15.	"I wonder," asks Tom Rooks, a landscape designer in Michigan extensively quoted by Druse, "what do people do who are in love with things that are completely man-made? Like people who are in love with cars? What we're in love with is so complex and so never-ending, you can never feel you've done everything or learned everything about it." Druse, The Passion for Gardening, 22. Druse's own metaphor that nature is "the senior partner in this collaboration" is schmaltzy but accurately depicts the basic ontological sense that gardening can resist fetishism. Ibid., 232.
16.	Edward W. Soja, Postmetropolis: Critical Studies of Cities and Regions (Madden, Massachussetts: Blackwell, 2000), 401. For the classic postmodern-geography treatment of Atlanta, see Charles Rutheiser, Imagineering Atlanta: The Politics of Place in the City of Dreams (New York: Verso, 1996).

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