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Retelling Virginia's Migration History

...“negro.” This official action during the Jim Crow era resulted in the flight of many of the state’s Native Americans. Debra H. Rodman, Exhibition guest book, Library of Virginia,...

The Sub Series: Henry County, Georgia

...slats. The post-war, white-flight model of red-lining and restrictive covenants has been transformed. Well-to-do people of color, the poor, and working classes are likewise drawn to urban peripheries. But subdivisions...

Marching for Gay Rights in Atlanta, 1971: An Excerpt from A Night at the Sweet Gum Head

...turning Stonewall's rebellion into art. The Sweet Gum Head is where Atlanta earned its reputation for top-flight female impersonation. It's where Atlanta's drag came out of the closet. Before RuPaul...

The World of Chick-Fil-A and the Business of Sunbelt Evangelicalism

Presentation Part 2: Grem discusses conservative evangelical organizations and the rise of Christian small business in the twentieth century Part 3: S. Truett Cathy, evangelical and corporate America, Sunbelt politics, and...

Voting Rights: Justice Alito's False, Partisan Facts

The US Supreme Court has chosen to hear several cases this term that could overturn many of the laws and practices the nation has come to accept as instrumental for...

Deep Ellum Blues

...neighborhoods that might ensue. The wrecking ball in Dallas only existed to promote growth, now inextricably linked to white flight. The postwar generation of white suburbanites, like myself, had almost...

And the Prize Goes to...

...scholarly writing. Students worked with Allison Wright—who sifts through some nine thousand online submissions each year as the managing editor for Virginia Quarterly Review—to develop an early-semester workshop on strategies and...

Collaborative Atlanta Studies Website Gathers Original Scholarship, Research, and Projects on Atlanta

...bring together research projects, resources, and information about the Atlanta metro region and inspire new scholarship. Atlanta Studies (www.AtlantaStudies.org), which launched Feb. 16, is an open-access online publication that features...

Memphis by Hand: Creative Small-Business Advertising

Photo Essay Map of Memphis Neighborhoods (Base Map Data: US Census Bureau) Photographer's Statement While I didn't seek out hand-painted signs, I noticed their emergence as a pattern in my...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film...

References
1.	David Denby, "Privilege and Bad Manners," The New Yorker, January 7, 2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film critics are using the concocted incident as a chance to convene a "Communist-style special 'Emergency Meeting' supposedly in the interest of legislating 'decorum'—a meeting based entirely upon something that none of them actually heard and one that is really intended to purge me from the Circle." See Scott Feinberg, "Embattled Film Critic Armond White: I Never Heckled Steve McQueen," The Hollywood Reporter, January 7, 2014, http://www.hollywoodreporter.com/race/embattled-film-critic-armond-white-669032.
2.	Pitt's presence in the film is one of 12 Years a Slave's few missteps. Having such a recognizable star come in and play a kind of angel figure distracts us from both the miracle of Northup's staying alive and the power of Ejiofor's performance. Had the role been played by a younger, less well-known actor, it would have highlighted the randomness of Northup's delivery from bondage. This problematic choice to cast Pitt (perhaps made by Pitt himself in his role as producer) has had repercussions outside of the film itself, as a poster advertising 12 Years a Slave's Italian release featured a huge headshot of Pitt looming over a much smaller full-body profile of Ejiofor. The poster was quickly recalled, but not before it led to a backlash from critics who felt the marketing was focusing on the film's white stars (there was also a poster featuring Michael Fassbender, who at least has a lot of screen time) at the expense of its two black leads, Ejiofor and Lupita Nyong'o. The poster was made by a third-party distributor and reflects a long-term problem Hollywood has had in marketing films focusing on people of color, particularly in international markets.
3.	Recently, Phil Robertson, one of the stars of the astoundingly popular A&E television show Duck Dynasty, gave an interview to GQ in which he said (among many other things) that: "I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field. . . . They're singing and happy. I never heard one of them, one black person, say, 'I tell you what: These doggone white people'—not a word! . . . Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues." See Drew Magary, "Duck Dynasty's Phil Robertson Gives Drew Magary a Tour," GQ, January 2014, http://www.gq.com/entertainment/television/201401/duck-dynasty-phil-robertson.

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