Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives
...an all-white restaurant, or to momentarily avoid a racial indignity. Some white leaders openly acknowledged what a large number of various skin complexions meant in the real life of...
The Other Side of Paradise: Glimpsing Slavery in the University's Utopian Landscapes
...cut see Mark Auslander, "Going by the Trees: Death and Regeneration in Georgia's Haunted Landscapes." "Ancient Mysteries, Modern Secrets," 2009. (Electronic Antiquity) A number of white Oxford residents spoke of...
Ramp Hollow: The Ordeal of Appalachia
Introduction At present, the people of Appalachia continue to endure the contraction and retreat of extractive industry with little more than big-box retail for employment. They work for local hospitals...
Southern Football, African American Athletes, and the Relative Decline of the Big Ten
...its schools recruited talented African American athletes earlier than a number of other power conferences, most notably, of course, those in the South. Before the early 1970s, a minuscule number...
Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two
...in the US—to be white people descended from Scot-Irish, emigrants, fleeing poverty in Europe, moving from the eastern seaports of the US further south and east, looking for cheap land —...
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...sisters pose for the camera as just to the right of the central triptych a little boy hoes a patch of bare dirt in the background. In the middle, Ruth...
Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida
...writing, I turned to nature close to home—Salt Creek, whose mouth empties right onto our campus. With little initial support, I threw myself into a curriculum that built nature around...
Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond
...want to be in that number."14Edwin Bocage, as quoted in Various Artists, Our New Orleans: A Benefit Album (Nonesuch Records, 2005). Nick Spitzer, Eddie Bo, New Orleans, Louisiana, 2005. A...
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...shows share little else. Where True Blood's title sequence—like its plotting and characterization—is hypersaturated, paced for blooming or exploding rot, True Detective's opener features a world in chemical sterilization. Rather...
St. Augustine's "Slave Market": A Visual History
...low vantage point positions him as the pinnacle of a pyramid made up of two young boys and a megaphone at the base and a Confederate flag at right. Electric...