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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Brushes with War

...Frederic Edwin Church created Meteor of 1860 (1860), an eerie canvas that captured the anxious public mood. "Landscape painting," Harvey contends, "became the emotional barometer of the mood of the...

Petrochemical America, Petrochemical Addiction

...on an eerie beauty in Misrach's spectacular landscapes. In photographs of human habitat, they have a more sinister aspect—outsized in comparison to modest homes; implicated in the desolation of an...