Let Me Do My Thang: Rebirth Brass Band
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From Raw Cotton to Cloth
Introduction Opened in 1968, the Katherine plant was the last of four Springs cotton mills operating in Chester, South Carolina. Hughes and Hall captured these images shortly before the plant...
Insistent Traces
...Pharoah. Her poems have appeared in Poetry, The New England Review, The Southern Review, The Georgia Review, TriQuarterly, and Crazyhorse. In 2008 Emerson was named Poet Laureate of Virginia. Her...
Climate Change & Coral Reefs: Global Challenges from a Caribbean Perspective
Presentation About the Speaker James W. Porter is the Meigs Distinguished Professor of Ecology at the University of Georgia and a faculty member in School of Marine Programs, Water Resources and Conservation Ecology. Porter has...
Remembering Documentary Filmmaker George Stoney
...public-access television, a teacher at New York University, and a native of Winston-Salem, North Carolina. He was remembered in the New York Times, the Village Voice, and by Tom Rankin...
Seeing Sound: Mapping Florentine Soundscapes
Presentation Question and Answer Session About the Speaker Niall Atkinson is Neubauer Family Assistant Professor of Art History and the College at the University of Chicago. His publications include The Noisy...
Walt Whitman in Alabama
...mayor who bought the ladies' favors with river quartz, maybe east from some trip west to see or returning north from New Orleans or just lost in those years after...
Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011
...Ward, New Orleans, Louisiana, 2005. From Dorothy Moye's Katrina + 5: An X-Code Exhibition. 400-600 word proposals should include: a description of the major ideas, arguments, and sources for the...
Geography
Geography Natasha Trethewey reads her poem "Geography," 2010. Poem text. About the Poet Natasha Trethewey is a professor of English and the Phillis Wheatley Distinguished Chair in Poetry at...
Call for Submissions: Spatial Justice
...essays and projects that deal with the legacies of these events, we especially encourage new treatments and analyses of how the making of space and place expresses power, injustice, and social...