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Keywords for Southern Studies: An Introduction

...personally understands it. The result is a collection that is contingent and fragmentary, but capacious enough to hold side by side various disciplinary and theoretical approaches, generational affinities, and intellectual...

Has Historical GIS Arrived?: A Review of Toward Spatial Humanities

Review...

Flatlands in the Outlands: Photographs from the Delta and Bayou

...places of return or retreat, places that hold personal memories, aesthetic appeal, or the promise of renewed connection with the land. Four of the photographers grew up in the Delta...

The South as Foil: A Review of This Is Not Dixie

...racism, the vulnerability of blacks, and the brutality of the racial order" (1). He deploys a more capacious approach, encompassing sensational violence (lynchings, race riots, mobbing, killing-by-police, and homicides), threatened...

The Civil War and Emancipation 150 Years On

...latest technology: Princess phones played recorded messages and elaborate electric maps traced troop movements. A Mercury space capsule proudly perched nearby, an incongruous and yet resonant symbol of the unified...

Low Country Travelers: An African American Car Club of Charleston County, South Carolina

...construction of bridges across the Santee River to the north and the Cooper River to Charleston in the 1920s. Today, the town’s largely white population numbers around 450. Conversely, the...

A City Divided

...on Atlanta's burgeoning population growth, black and white, though the real-estate agents were acutely aware of the tight housing market. The meeting attendees concluded that, "for the best interests of...

Queer Memory: Loss, Martyrs, and Memorialization in Southern Florida

...the best sandwich. You walk back to your bungalow; people smile at you and comment on your huaraches, your straw hat: your carefully planned island wardrobe. You seem to fit...

The "Achilles' Heel" of Jim Crow: A Review of Landscapes of Exclusion

...schools in a desperate attempt to convince federal courts that separate could be equal. White officials tried in vain to give the appearance of equality to spaces and institutions conceived...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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