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Quilting Conversation

Introduction by Katherine Jentleson During the summer of 2018, Atlanta's High Museum of Art hosted Outliers and American Vanguard Art, an exhibition that demonstrated how self-taught artists have been major...

The Poetics of Rescue and Resilience: A Conversation with Jericho Brown on The Selected Shepherd

...the time, there is this idea: we are going to say what our actual experience is in our poems, and we are not coding it. The code will be the...

Editors

...of African American Studies Emory University 550 Asbury Circle 207 Candler Library Atlanta, GA 30322 Carol Anderson is the Charles Howard Candler Professor of African American Studies at Emory University and author...

Ungesund: Yellow Fever, the Antebellum Gulf South, and German Immigration

...that the affliction targeted strangers to tropical climates, hence its moniker as a "strangers' disease," and, second, the erroneous assumption that individuals of African descent carried an inherent racial immunity.15Margaret...

Sankofa Series: What Must Be Remembered

...Company dating to ca. 1860.2This passbook is housed in the African American Miscellaneous Collection in Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library. Passbooks were used during...

Crespino's Strom Thurmond: The Last Jim Crow Demagogue and the First Sunbelt Conservative

...moderate stance would probably lead him to be run-out of the current Republican Party. Finally, Crespino addresses the controversial topic of Thurmond's African American daughter. Emory University, Expert Conversations on Strom Thurmond, 2012....

Search Results for VIPREG2024 promo code of 1xbet Central African Republic

The Poetics of Rescue and Resilience: A Conversation with Jericho Brown on The Selected Shepherd

Editors

Ungesund: Yellow Fever, the Antebellum Gulf South, and German Immigration

Sankofa Series: What Must Be Remembered

Crespino's Strom Thurmond: The Last Jim Crow Demagogue and the First Sunbelt Conservative

Grave of James D. Lynch, Greenwood Cemetery, Jackson, Mississippi, 2012

Writing Appalachia

References
1.	Websites for locating Appalachian writing include Documenting the American South (docsouth.unc.edu) and Making of America (quod.lib.umich.edu/m/moagrp/).
2.	Outstanding specialized anthologies include W. K. McNeil, ed., Appalachian Images in Folk and Popular Culture (1995); Sandra L. Ballard and Patricia L Hudson, eds., Listen Here: Women Writing in Appalachia (2004); Felicia Mitchell, ed., Her Word: Diverse Voices in Contemporary Appalachian Women's Poetry (2003); Kevin E. O'Donnell and Helen Hollingsworth, eds., Seekers of Scenery: Travel Writing from Southern Appalachia, 1840–1900 (2004); Marita Garin, ed., Southern Appalachian Poetry: An Anthology of Works by Thirty-Seven Poets (2008); Jessie Graves and William Wright, eds., The Southern Poetry Anthology: Contemporary Appalachia (2010); Chris Green, ed., Coal: A Poetry Anthology (2006); and Anthology of Appalachian Writers (a journal-like, serial publication of contemporary Appalachian writing published by Shepherd University).
3.	John C. Campbell, The Southern Highlander and His Homeland (1921); Henry Glassie, Pattern in the Material Folk Culture of the Eastern United States (1968); Terry G. Jordan-Bychkov, The Upland South: The Making of an American Folk Region and Landscape (2003).
4.	William Goodell Frost, "Our Contemporary Ancestors in the Southern Mountains," Atlantic Monthly, 1899. A recent controversial literary example that reinforces the degenerate-culture vision of Appalachia is J. D. Vance's Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (2016). Vance's book has generated so much popular attention on the region that several Appalachian authors, including many of the authors featured in this anthology, decided to write back against Vance's portrayal of Appalachia in Appalachian Reckoning: A Region Responds to "Hillbilly Elegy" (2018). Examples of the degenerate-culture representation in the contemporary media include The Wild and Wonderful Whites of West Virginia (https://www.youtube.com/watch?v=AQBiXDNVeSA); Buckwild (http://www.mtv.com/shows/ buckwild/series.jhtml), Squidbillies (https://www.adultswim.com/search?q=squidbillies), and Saturday Night Live's "Appalachian Emergency Room" (http://www.nbc.com/saturday-night-live/video/appalachian-emergency-room/n12005/).
5.	The contemporary popular media engage less in romanticization of Appalachians, although the trope abounds in the literature. Nothing seems to be filling the beloved shoes of The Waltons (serialized from 1972 to 1981 and made into television movies three times in the 1990s) or Christy, the 1994–1995 television series about a stoic young city girl teaching in the Tennessee mountains in 1912 who gently guides the mountain people away from their bad ways, bringing out their natural goodness. The character Kenneth Parcel, played by Jack McBrayer, on the television comedy 30 Rock (2006–2013) may be the best example of contemporary media's embracing of the "good" qualities of Appalachian people, albeit couched within the all-too-familiar hillbilly stereotypes. Kenneth, from Stone Mountain, Georgia, is unfailingly cheerful, kind, and honest. He is also misogynistic and religiously narrow-minded. He rejects science and supports the Confederacy. References to incest abound when Kenneth is around.
6.	Chad Berry, Philip J. Obermiller, and Shaunna L. Scott, eds, Studying Appalachian Studies: Making the Path by Walking (2015).
7.	Eller, Miners, Millhands, and Mountaineers: Industrialization of the Appalachian South, 1880–1930 (1982), xvii. For a discussion of the commodification and fetishization of Appalachia, see Allen W. Batteau, The Invention of Appalachia (1990).
8.	Batteau, The Invention of Appalachia. See also Henry Shapiro, Appalachia on Our Mind: The Southern Mountains and Mountaineers in the American Consciousness, 1870–1920 (1978).
9.	For a discussion of master narratives in late nineteenth- and early twentieth-century anthologies of southern literature, see Susan Harrell Irons, "Southern Literary Reconstructionists: Shaping Southern Literary Identity, 1895–1915" (Ph.D diss., University of North Carolina, Chapel Hill, 2001).
10.	William Andrews, preface to The Literature of the American South: A Norton Anthology (1998), xxii.
11.	Douglas Reichert Powell, Critical Regionalism: Connecting Politics and Culture in the American Landscape (2007), 10.
12.	Robert J. Higgs and Ambrose Manning, Voices from the Hills: Selected Readings of Southern Appalachia (1975), xvii.
13.	Edward J. Cabbell, "Black Invisibility and Racism in Appalachia: An Informal Survey," in Blacks in Appalachia, ed. William H. Turner and Edward J. Cabbell (1985); Barbara Ellen Smith, "Walk-Ons in the Third Act: The Role of Women in Appalachian Historiography," Journal of Appalachian Studies (1998); Jeff Mann, Loving Mountains, Loving Men (2005).
14.	Betsy K. White, Great Road Style: The Decorative Arts Legacy of Southwest Virginia and Northeast Tennessee (2006).
15.	Strother, "A Winter in the South, Fifth Paper," Harper's New Monthly Magazine (1858), 721.
16.	Rudy Abramson and Jean Haskell, eds., The Encyclopedia of Appalachia (2006), which emphasized the region's urban as well as rural dimensions, pioneered this multi-tiered approach to Appalachian studies. We follow this lead.
17.	John Alexander Williams, Appalachia: A History (2002), 13.
18.	Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism (1988), 127.
19.	C. Hugh Holman, "Appalachian Literature? Two Views," Appalachian Journal (1976), 79.
20.	See, for example, Sylvia Jenkins Cook, From Tobacco Road to Route 66: The Southern Poor White in Fiction (1976).
21.	Fred Chappell, "The Shape of Southern Literature to Come: An Interview with Will Hickson"; and Rodger Cunningham, "Writing on the Cusp: Double Alterity and Minority Discourse in Appalachia," in The Future of Southern Letters, ed. Jefferson Humphries and John Lowe (1996).