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A Review of Matt Miller's Bounce: Rap Music and Local Identity in New Orleans

Review In the aftermath of Hurricane Katrina, clubs in Houston, Dallas, and many other centers of New Orleanian displacement hosted "New Orleans" nights, featuring rap music from the Crescent City....

Psychiatry in the Wake: Racism and the Asylumed South

...Racism and the Haunting of American Psychiatry at the Milledgeville Asylum (New York, The New Press, 2020). deals with the first hundred years of Georgia's Central State Hospital in Milledgeville...

The Making of the Arkansas Cemetery Angel: AIDS Activism, Care Work, and Fragmentary Archives in the Life of Ruth Coker Burks

...than evaluating the accuracy of Ruth’s account or those of her critics, this article investigates what her rich, if fragmentary, archival materials, along with her published memoir and newspaper accounts,...

A Woman's Work: Jim Crow Modernity and the Remaking of the Carceral State

...M. Brown commuted her sentence in September 1910. Milledgeville and Tattnall Prisons, Georgia State Prison Farm, Milledgeville, Georgia., 1940. Photograph by Lane Brothers Commercial Photographers. Courtesy of Georgia State University...

Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition

Review New Orleans Suite: Music and Culture in Transition, a compelling collection of photography and analysis on the ever-changing positions, roles, and meanings of Afro-diasporic cultural expressions in New Orleans,...

The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness

...like a new kind of literary genre, what she calls "aural literature."11Katy Waldman, "The Gorgeous New True Crime Podcast S-Town is Like Serial but Satisfying," Slate, March 30, 2017, http://www.slate.com/blogs/browbeat/2017/03/30/s_town_the_new_true_crime_podcast_by_the_makers_of_serial_reviewed.html....

Counterblast: How the Atlanta Temple Bombing Strengthened the Civil Rights Cause

...was hurt, the blast, which woke people from their sleep several blocks away, caused almost $200,000 of damage.1Atlanta Constitution, October 13, 1958; New York Times, October 16, 1958. For a...

Three Poems and a Critique of Postracialism

...and write a poem."8Elizabeth Alexander, The Venus Hottentot (Saint Paul: Graywolf Press, 2004 [1990]), 50. New Orleans; Johannesburg; Philadelphia; Kingston; London; Cambridge; Miami; Sparta, Georgia: but a few of the locations in...

References
1.	Peniel E. Joseph, "Our National Postracial Hangover" Chronicle of Higher Education, 27 July 2009. On the Gates affair, see especially Charles J. Ogletree, The Presumption of Guilt: The Arrest of Henry Louis Gates, Jr. and Race, Class, and Crime in America (New York: Palgrave Macmillan, 2010).
2.	Colson Whitehead, "The Year of Living Postracially," The New York Times, November 4, 2009.
3.	The Colbert Report, episode no. 153, first broadcast October 26, 2009 by Comedy Central. Colbert went on to suggest that Cornell West rename his signature book "Race Mattered."
4.	David A. Hollinger, "The Concept of Post-Racial: How Its Easy Dismissal Obscures Important Questions," Daedalus 140, no. 1 (Winter 2011): 175.
5.	See especially Paul Gilroy, Against Race: Imagining Political Culture Beyond the Color Line (Cambridge: Belknap Press of Harvard University Press, 2000).
6.	Edward S. Casey, "How to Get From Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena," in Senses of Place, Steven Feld and Keith H. Basso, eds. (Santa Fe: School of American Research Press, 1996), 19. I should note that in this essay and elsewhere Casey's claims are broad. He often uses the collective "we" or "human beings" to describe the purview of his philosophical project (e.g., "we are not only in places but of them" [19]). Nonetheless, as I argue in the broader project of which this essay is a part, Casey's concept of emplacement has particular urgency for raced human beings.
7.	On the genius loci trope, see Geoffrey H. Hartman, "Romantic Poetry and the Genius Loci" in Beyond Formalism: Literary Essays, 1958–1970 (New Haven: Yale University Press, 1970), 311–36; Roberto M. Dainotto, Place in Literature: Regions, Cultures, Communities (Ithaca, NY: Cornell University Press, 2000); and John D. Kerkering, "American Renaissance Poetry and the Topos of Positionality: Genius Mundi and Genius Loci in Walt Whitman and William Gilmore Simms" Victorian Poetry 43, no. 2 (Summer 2005): 223–248.
8.	Elizabeth Alexander, The Venus Hottentot (Saint Paul: Graywolf Press, 2004 [1990]), 50.
9.	Elizabeth Alexander, Antebellum Dream Book: Poems (Saint Paul: Graywolf Press, 2001), 22.
10.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander," Southern Spaces, December 10, 2009, https://southernspaces.org/2009/natasha-trethewey-interviews-elizabeth-alexander. On passing narratives in twentieth-century American literature, see especially Gayle Wald, Crossing the Line: Racial Passing in Twentieth-Century US Literature and Culture(Durham: Duke University Press, 2000).
11.	See especially Elizabeth McLagan, A Peculiar Paradise: A History of Blacks in Oregon (Portland: Georgian Press, 1980).
12.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander."
13.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 36.
14.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 35.
15.	Thadious M. Davis, Southscapes: Geographies of Race, Region, and Literature (Chapel Hill: University of North Carolina Press, 2011), 58.
16.	Davis offers little help here, noting, "The Fugitives' rural iconography is made obsolete by the sound of the bulldozers building more of the city, Southscapes, 78."
17.	The paradoxes of Atlanta's uneven development and race relations have been exhaustively documented by Ronald H. Bayor, Larry Keating, Kevin M. Kruse, and David L. Sjoquist. Since the 1996 Olympics, it has become a critical doxa to describe Atlanta as an urban space characterized by its "sense of placelessness"—a "nonplace," if you will.
18.	One imagines that Robert Penn Warren and Allen Tate might have admired Trethewey's formal commitments and/or keen interest in Civil War memory. It bears repeating, this is a very well-wrought sonnet in a collection of poems called Native Guard.
19.	Davis, Southscapes, 57.
20.	Robert Lowell, For the Union Dead (New York: Farrar, 1964), 70.
21.	C. S. Giscombe, Prairie Style (Champaign, IL: Dalkey Archive Press, 2008), 22.
22.	Ron Sillman, in C. S. Giscombe, Giscome Road (Champaign, IL: Dalkey Archive Press, 1994), back cover.
23.	Giscombe, Prarie Style, xiii.
24.	C. S. Giscombe, Into and Out of Dislocation (New York: North Point Press, 2000), dust jacket.
25.	Giscombe, Prairie Style, 68–69.
26.	Max Cavitch, American Elegy: The Poetry of Mourning from the Puritans to Whitman (Minneapolis: University of Minnesota Press, 2007), 1.
27.	Peniel E. Joseph, "Our National Postracial Hangover: With the Gates Fiasco, the Rosy Glow Has Faded," The Chronical of Higher Education, 27 July, 2009, http://chronicle.com/article/Our-National-Postracial/47462/.
28.	George Lipsitz, How Racism Take Place (Philadelphia: Temple University Press, 2011), 5.
29.	Ibid., 5.
30.	For a powerful, related claim about poetry's representation power, see Neville Hoad, "Three Poems and a Pandemic" in Political Emotions: New Agendas in Communication, ed. Janet Steiger et al. (New York: Routledge, 2010).

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