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Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else

...MARBL.) At the end of Raymond's life, he and Benny had acrimonious phone conversations and exchanged angry letters. The letters referenced the phone conversations and expanded on them. By 1990,...

Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered

...Atlanta was voted number two in Fortune's 1995 'Best Cities for Business' list, the city also ranks number two in the nation in income disparity between blacks and whites, number...

Piedmont Blues

...Cotten, Rev. Gary Davis, and Blind Boy Fuller. (Source: Blues Routes Smithsonian Folkways Recordings, 1999) Blind Blake (Born Arthur Blake 1895 in Jacksonville, FL) Blind Blake was arguably the most...

Slipping Boundaries: The Tenacity of Aaron Henry

...Southern Queer History (Chicago: University of Chicago Press, 1999) and Concentration Camps on the Home Front: Japanese Americans in the House of Jim Crow (Chicago: University of Chicago Press, 2008)....

Global Lives, Local Struggles: Latin American Immigrants in Atlanta

...the University of California, Berkeley in 1989. Her areas of specialization within the field of US history include women and gender, family, migration, and ethnicity. Her research has focused on...

Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic

...shrouded in smog looms over it. It's a busted up Emerald City, desaturated and toxic, an unreal city in an industrialized Oz. HBO has three shows set in Louisiana: Treme,...

African American Community Building in Atlanta: A Guide to the Study of Race in America

...the turn of the century. Race in America, particularly in the South, has tended to override ethnicity. Race and ethnicity, however, overlap. Both terms incorporate ancestry, geographical origins, and cultural...

Nannie's Stone: Appendices by Mark Auslander and Lisa Fager

...nineteen months. Starting in 1812, Charles Tinney was listed several times in local District of Columbia newspapers as receiving letters at the city post office. On December 2, 1817, he married...

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

...Show and Richard Stamz's Open the Door Richard both had brief periods of success in 1950s Chicago.24J. Fred MacDonald, Blacks and White TV: African Americans in Television Since 1948 (Chicago: Nelson-Hall,...

References
1.	Gertrude "Ma" Rainey, vocal performance of "See See Rider Blues" by Ma Rainey and Lena Arant, recorded October 16, 1924, by Paramount, catalogue number 12252, 78 rpm.
2.	Jeff Todd Titon, Early Downhome Blues: A Musical and Cultural Analysis (Urbana: University of Illinois Press, 1977), 74–75; Tom Hughes, Hanging the Peachtree Bandit: The True Tale of Atlanta's Infamous Frank Dupree (Charleston, SC: The History Press, 2014).
3.	Sarah Caroline Thuesen, Greater Than Equal: African American Struggles for Schools and Citizenship in North Carolina, 1919 –1965 (Chapel Hill: University of North Carolina Press, 2013), 225–229.
4.	Jeffrey Crow, Paul Escott, and Flora Hatley, A History of African Americans in North Carolina (Raleigh: Division of Archives and History, North Carolina Department of Cultural Resources, 1992).
5.	Aniko Bodroghkozy, Equal Time: Television and the Civil Rights Movement (Urbana: University of Illinois Press, 2012); Martin Berger, Seeing Through Race: A Reinterpretation of Civil Rights Photography (Berkeley: University of California Press, 2011); and Leigh Raiford, Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle (Chapel Hill: University of North Carolina Press, 2013).
6.	Quoted in Bodrogkozy, Equal Time, 2.
7.	"Afro-Americans who lived in communities as diverse as Chicago, Norfolk, and Buxton, Iowa, congregated—sometimes along class lines, but always together," Earl Lewis argues. "In the southern context, congregation was important because it symbolized an act of free will, whereas segregation represented the imposition of another's will." Earl Lewis, In Their Own Interests: Race, Class, and Power in Twentieth-Century Norfolk, Virginia (Berkeley: University of California Press, 1991), 91–92.
8.	Matthew Delmont, The Nicest Kids in Town: American Bandstand, Rock 'n' Roll, and the Struggle for Civil Rights in 1950s Philadelphia (Berkeley: University of California Press, 2012).
9.	Norma Coates, "Elvis from the Waist Up and Other Myths: 1950s Music Television and the Gendering of Rock Discourse," in Medium Cool: Music Videos from Soundies to Cellphones, eds. Roger Beebe and Jason Middleton (Durham, NC: Duke University Press, 2007), 226–251; Coates, "Filling in Holes: Television Music as a Recuperation of Popular Music on Television," Music, Sound, and the Moving Image 1, no. 1 (Spring 2007): 21–25; Murray Forman, One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television (Durham, NC: Duke University Press, 2012); Julie Malnig, "Let's Go to the Hop: Community Values in Televised Teen Dance Programs of the 1950s," Dance & Community: Proceedings of The Congress on Research in Dance (August, 2006): 171–175; Tim Wall, "Rocking Around the Clock: Teenage Dance Fads from 1955 to 1965," in Ballrooms, Boogie, Shimmy, Sham, Shake: A Social and Popular Dance Reader, ed. Julie Malnig (Urbana: University of Illinois Press, 2009), 182–198; George Lipsitz, Midnight at the Barrelhouse: The Johnny Otis Story (Minneapolis: University of Minnesota Press, 2010); and Brian Ward, Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations (Berkeley: University of California Press, 1998).
10.	"The NAACP Reports: WCAM (Radio)," August 7, 1955, NAACP collection, URB 6, box 21, folder 423, TUUA.
11.	Eustace Gay, "Pioneer In TV Field Doing Marvelous Job Furnishing Youth With Recreation," Philadelphia Tribune, February 11, 1956; Gary Mullinax, "Radio Guided DJ to Stars," The News Journal Papers (Wilmington, DE), January 28, 1986, D4.
12.	Otis Givens, interview with author, June 27, 2007.
13.	Quoted in John Roberts, From Hucklebuck to Hip-Hop: Social Dance in the African American Community in Philadelphia (Philadelphia: Odunde, 1995), 37.
14.	On the Philadelphia Tribune's "Teen-Talk" coverage of Mitch Thomas' show, see "They're 'Movin' and Groovin,'" Philadelphia Tribune, July 31, 1956; Dolores Lewis, "Talking With Mitch," Philadelphia Tribune, November 9, 1957; Lewis, "Stage Door Spotlight," Philadelphia Tribune, November 9, 1957; Laurine Blackson, "Penny Sez," Philadelphia Tribune, December 7, 1957 and April 26, 1958; Dolores Lewis, "Philly Date Line," Philadelphia Tribune, December 7, 1957; "Queen Lane Apartment Group [photo]," Philadelphia Tribune, December 7, 1957; Jimmy Rivers, "Crickets' Corner," Philadelphia Tribune, January 21 and April 22, 1958; Edith Marshall, "Current Hops," Philadelphia Tribune, March 1, 8 and 22, 1958; Marshall, "Talk of the Teens," Philadelphia Tribune, March 22, 1958; and "Presented in Charity Show [Mitch Thomas photo]," Philadelphia Tribune, April 22, 1958.
15.	Art Peters, "Negroes Crack Barrier of Bandstand TV Show," Philadelphia Tribune, October 5, 1957; "Couldn't Keep Them Out [photo]," Philadelphia Tribune, October 5, 1957; Delores Lewis, "Bobby Brooks' Club Lists 25 Members," Philadelphia Tribune, December 14, 1957.
16.	On the crossover appeal of black-oriented radio, see Brian Ward, Radio and the Struggle for Civil Rights in the South (Gainsville: University Press of Florida, 2004); William Barlow, Voice Over: The Making of Black Radio (Philadelphia: Temple University Press, 1999); and Susan J. Douglas, Listening In: Radio and the American Imagination (New York: Times Books, 1999), 219–255.
17.	Black Philadelphia Memories, directed by Trudi Brown (Philadelphia, WHYY-TV12, 1999), television documentary.
18.	"Teen-Age 'Superiors' Debut on M.T. Show," Philadelphia Tribune, November 19, 1957.
19.	On Mitch Thomas' concerts, see Archie Miller, "Fun & Thrills," Philadelphia Tribune, December 4, 1956; "Rock 'n Roll Show & Dance," Philadelphia Tribune, April 19, 1958; "Swingin' the Blues," Philadelphia Tribune, August 5, 1958; "Mitch Thomas Show Attracts Over 2000," Philadelphia Tribune, August 18, 1958; "Don't Miss the Mitch Thomas Rock & Roll Show," Philadelphia Tribune, July 2, 1960.
20.	Mullinax, "Radio Guided DJ to Stars."
21.	Ray Smith, interview with author, August 10, 2006. Jimmy Peatross and Joan Buck tell a related story about learning how to do The Strand from black teenagers in Twist, directed by Ron Mann (Sphinx Productions, 1992), documentary.
22.	Ibid.
23.	Black Philadelphia Memories, dir. Trudi Brown.
24.	J. Fred MacDonald, Blacks and White TV: African Americans in Television Since 1948 (Chicago: Nelson-Hall, 1983), 17–21, 57–64; Jannette Dates, "Commercial Television," in Split Image: African Americans and the Mass Media, ed., Davis and Barlow (Washington, DC: Howard University Press, 1993), 267–327; Christopher Lehman, A Critical History of Soul Train on Television (Jefferson, NC: McFarland & Company, 2008), 28; Richard Stamz, Give 'Em Soul, Richard! (Urbana: University of Illinois Press, 2010), 62–63, 77–78; Barlow, Voice Over, 98–103.
25.	Herbert Howard, Multiple Ownership in Television Broadcasting (New York: Arno Press, 1979), 142–147.
26.	Ibid.
27.	Barlow, Voice Over, 129; Giacomo Ortizano, "One Your Radio: A Descriptive History of Rhythm-and-blues Radio During the 1950s" (PhD dissertation, Ohio University, 1993), 391–423.
28.	Art Peters, "Mitch Thomas Fired From TV Dance Party Job," Philadelphia Tribune, June 17, 1958.
29.	Howard, Multiple Ownership in Television Broadcasting, 146.
30.	Brett Gadsden, Between North and South: Delaware, Desegregation, and the Myth of American Sectionalism (Philadelphia: University of Pennsylvania Press, 2013), 7.
31.	Matthew Countryman, Up South: Civil Rights and Black Power in Philadelphia (Philadelphia: University of Pennsylvania Press, 2006), 10.
32.	On the limitations of the de jure/de facto framework, see Matthew Lassiter, "De Jure/De Facto Segregation: The Long Shadow of a National Myth," in The Myth of Southern Exceptionalism, eds., Lassiter and Joseph Crespino (New York: Oxford University Press, 2010), 25–48. On race and segregation in Philadelphia, see Countryman, Up South; Countryman, "'From Protest to Politics': Community Control and Black Independent Politics in Philadelphia, 1965–1984,"Journal of Urban History 32 (September 2006): 813–861; Delmont, The Nicest Kids in Town; James Wolfinger, Philadelphia Divided: Race and Politics in the City of Brotherly Love (Chapel Hill: University of North Carolina Press, 2007); Wolfinger, "The Limits of Black Activism: Philadelphia's Public Housing in the Depression and World War II," Journal of Urban History 35 (September 2009): 787–814; Guian McKee, The Problem of Jobs: Liberalism, Race, and Deindustrialization in Philadelphia (Chicago: University Chicago Press, 2008); McKee, "'I've Never Dealt with a Government Agency Before': Philadelphia's Somerset Knitting Mills Project, the Local State, and the Missed Opportunities of Urban Renewal," Journal of Urban History 35 (March 2009): 387–409; and Lisa Levenstein, A Movement Without Marches: African American Women and the Politics of Poverty in Postwar Philadelphia (Chapel Hill: University of North Carolina Press, 2009).
33.	Clarence Williams, "JD Lewis Jr.: A Living Broadcasting Legend," Ace: Magazine of the Triangle, September–October 2002, 12–14, 70.
34.	"WRAL-TV," 1960 Broadcasting Yearbook, A–73
35.	Jesse Helms, Here's Where I Stand (New York, Random House, 2005), 44–51; Ernest Furgurson, Hard Right: The Rise of Jesse Helms (New York: W. W. Norton, 1986), 69–91; William Link, Righteous Warrior: Jesse Helms and the Rise of Modern Conservatism (New York: St. Martin's Press, 2008), 64–98.
36.	J.D. Lewis (WRAL), letter to Dick Snyder, May 24, 1963, Lewis Family Papers, Southern Historical Collection, University of North Carolina at Chapel Hill, catalog number 5499, folder 139.
37.	On Pepsi marketing to black customers, see Stephanie Capparell, The Real Pepsi Challenge: How One Pioneering Company Broke Color Barriers in 1940s American Business (New York: Free Press, 2008).
38.	Jesse Helms, memo to Ray Reeve, July 6, 1967, Lewis Family Papers, folder 139; Ray Reeve, memo to J.D. Lewis, July 7, 1967, Lewis Family Papers, folder 139.
39.	Barry Malone, "Before Brown: Cultural and Social Capital in a Rural Black School Community, W.E.B. Dubois High School, Wake Forest, North Carolina," The North Carolina Historical Review 85, no. 4 (October 2008): 443–444.
40.	David Cecelski, Along Freedom Road: Hyde County, North Carolina and the Fate of Black Schools in the South (Chapel Hill: University of North Carolina Press), 9.

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