Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy
...written, this right need not be understood solely in the judicial-legal sense but as performative. See Sancto, "Visibility in Crisis: Configuring Transparency and Opacity in We Are Here's Political Activism," InVisible...
New Pasts: Historicizing Immigration, Race, and Place in the South
...“Utilization of Social Networks for Immigrant Entrepreneurship: A Case Study of Korean Immigrants in the Atlanta Area,” International Review of Sociology 10, no. 3 (2000): 347-363. In a South where...
The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee
..."listener" of complex national, regional, and local identifications has been a central, contested issue in radio scholarship. Susan Douglas describes the condition: [Radio's] technologically produced aurality allowed listeners to reformulate...
Nannie's Stone: Appendices by Mark Auslander and Lisa Fager
...who may have later remarried a Charles Brown. Andrew and Susan Tinney's children included Susan (born 1851), who married Charles W. Jeffries, a sergeant in the US Army; James (born...
Prop Master at Charleston's Gibbes Museum of Art
...Famous Last Names, 2009 Susan Harbage Page and Juan Logan Photographs, tarpaper, historical frames Susan Harbage Page and Juan Logan, Portrait from Famous Last Names, Charleston, South Carolina,...
Three Poems and a Critique of Postracialism
...places—Atlanta, Georgia. (Before going any further, let me offer an aside: One simple and overly-deterministic answer to the question, "Why Atlanta?" is biographical. As you might have heard tell, Trethewey...
Jake Adam York Interviews Sandra Beasley
Interview with Sandra Beasley Part 2: Jake Adam York & Sandra Beasley discuss traveling and engaging with the “culinary South,” “traditional” cuisine, and more Part 3: Jake Adam York & Sandra Beasley...
Palomares Bajo
...African American airmen with gloves are shown measuring a house's radioactivity, laundering contaminated uniforms, and shifting barrels full of "hot soil."15Szulc, 17, 169, 246. Emphasis added. Antonio Sánchez Picón, ed.,...
LiFT Art Salon: Hammonds House II
...of Atlanta's premiere institutions of black art since 1988. The #DareToBe event targeted Atlanta University Center (AUC) students, hoping to encourage a substantive dialogue in one Atlanta neighborhood. "Karrah 4 Prez"...
Latinos, the American South, and the Future of US Race Relations
Latinos, the American South, and the Future of US Race Relations: Part 2: Sanchez explores the impact of Mexican immigration on construction work in New Orleans following Hurricane Katrina Part 3: Sanchez...