LiFT Art Salon: Hammonds House
...they do possess something invaluable to the city’s future—black history. LiFT Art Salon intentionally operates out of historically black buildings, spaces, and cultural centers to redirect Atlanta's young adult population...
LiFT Art Salon: Gallery 72
...and artistically, but also physically and architecturally, through the transformation of the exhibition space ... reveals a movement toward new operative frameworks and political objectives where traditionally exclusive spaces include...
The Suburban Wild: Coyotes in Druid Hills
...campus. The land that constitutes the Druid Hills neighborhood was originally ceded to the Georgia government by Native Americans in 1821 and was subsequently surveyed and sold to white settlers....
Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors
...is particularly relevant to scholarly publishing but is not included in US Copyright Law.4For more on attribution and US as well as European copyright law, see Christopher Jon Springman, Christopher...
Place and Pluralism: The “Georgia Harmonies” Traveling Exhibition
...a community-based music with place (rather than solely with family, religious denomination, race, ethnicity, or another cultural marker) creates openings for individuals who fall outside the group previously associated with...
Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else
...open up. He simply said that if he allowed himself to dwell on what happened it would "consume" him, and he talked briefly and broadly about the utter painfulness of...
New Pasts: Historicizing Immigration, Race, and Place in the South
...work, relatively affordable housing, and, at least initially, little open hostility toward immigrant residents and neighborhoods. Although Nashville had a small but politically visible refugee population dating to the Cuban...
Tracing the Arctic Regions: Mapping 19th Century Photographs of Greenland
Presentation Question and Answer Session About the Speaker George Philip LeBourdais is a PhD candidate in the Department of Art and Art History at Stanford University. His research explores the...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...late modernity" (209) can be heard most clearly. "I want to show how Holly's three-minute masterpieces," Comentale succinctly explains, "forged in the non-space of the studio, chirping brightly in the...
Single Centers of Creation?
...vioscai Southern Red Salamander Plethodon serratus Southern Red-backed Salamander Eurycea cirrigera* Southern Two-lined Salamander Plethodon ventralis (formerly dorsalis) Southern Zigzag Salamander[SC] Plethodon welleri ventromaculatus Spotbelly Salamander [SC] Desmognathus conanti Spotted...