Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee
...of fancy.2Edith Mayfield Wiggins, telephone conversation with author, July 10, 2014. Hers was a childhood surrounded by art publications and crafts in various media, and included museum trips to New...
Revisiting Flaherty's Louisiana Story
...income, but then switched to the less cinematically interesting (and for some critics, less symmetrically ironic) work of a telephone lineman because it paid better and was less dangerous. As...
"Out long enough to be historic": Racialized Gay Space in Pre-Stonewall San Antonio
...River Parade in April of 1941. Throughout the forties and fifties, the River Walk featured a small sampling of restaurants, shops, and boating activities that drew in a fair number...
Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi
...L. Shephard spoke to the group. With white local and Democratic Party leaders in attendance, Shephard endorsed the Kennedy ticket and, the anchor's script reported, called Richard M. Nixon "a...
"Beer, Prayer and Nellydrama": (Im)Possibilities in Max Vernon's The View UpStairs
...Delery-Edwards describes the Lounge as a cultural space that sought to insulate patrons from homophobic violence, what Vernon would imagine in a musical number, "The World Outside These Walls."11Max Vernon,...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...removal began, and overstates the number of Cherokees sent from Fort Hetzel, the number removed from Gilmer County, and the number sent to Indian Territory. Incomplete narratives neglected the involvement...
The Shenandoah Valley
The Shenandoah Valley Edward Beyer, Digital Restoration of "Harper's Ferry from Jefferson Rock" from Album of Virginia: Illustrations of the Old Dominion, 1858. The Shenandoah Valley's history marks it as...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...doubled, at once opening and closing, losing and then finding itself in its own cheap performance" (180). These kinds of juxtapositions are the crux of what Comentale identifies as "vernacular...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...you in Vietnam? GAUTREAUX: I was going to join the Air Force, but they had that draft lottery, and I drew number 361. Number one went, and the further away...
A Plague of Bulldozers: Celestine Sibley and Suburban Sprawl
...a significant number of African American fans, her depiction of Atlanta and her search for what Massey calls "a place-called-home" during times of dramatic social change is that of a...