The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness
...viewer—short-circuit both homonormative assumptions about sexuality and gay identity and metronormative assumptions about sex and homophobia in the rural South. Anecdotally, I've heard from a goodly number of southern gay...
Spirits of the Landscape Rediscovered: Ras Michael Brown's African-Atlantic Cultures and the South Carolina Lowcountry
...the African-Atlantic—the geographical, cultural, and symbolic space linked by the dispersion of African-descended peoples across the Atlantic.2Although a number of studies reference African antecedents in their analysis of African American...
Revisiting Flaherty's Louisiana Story
...income, but then switched to the less cinematically interesting (and for some critics, less symmetrically ironic) work of a telephone lineman because it paid better and was less dangerous. As...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...removal began, and overstates the number of Cherokees sent from Fort Hetzel, the number removed from Gilmer County, and the number sent to Indian Territory. Incomplete narratives neglected the involvement...
Art, Diaspora, and Identity: The John Biggers Papers
...Biggers Papers, Emory University Manuscript, Archives, and Rare Book Library. In July 1957, Houston-based artist John Biggers traveled on a United Nations Educational Scientific and Cultural Organization (UNESCO) fellowship to...
The Shenandoah Valley
The Shenandoah Valley Edward Beyer, Digital Restoration of "Harper's Ferry from Jefferson Rock" from Album of Virginia: Illustrations of the Old Dominion, 1858. The Shenandoah Valley's history marks it as...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...doubled, at once opening and closing, losing and then finding itself in its own cheap performance" (180). These kinds of juxtapositions are the crux of what Comentale identifies as "vernacular...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...you in Vietnam? GAUTREAUX: I was going to join the Air Force, but they had that draft lottery, and I drew number 361. Number one went, and the further away...
Oak Ridgidness: Lindsey Freeman’s Longing for the Bomb
...of Illinois Press, 1997); Bruce Hevly and John Findlay, eds., The Atomic West (Seattle: University of Washington Press, 1998); John Findlay and Bruce Hevly, Atomic Frontier Days: Hanford and the...
Brick by Brick: Atlanta’s Collier Heights
Introduction Herman J. Russell Home at 714 Shorter Terrace in the Collier Heights neighborhood of Atlanta, 2015. In August 2015, the Collier Heights home of Herman J. Russell (1930–2014), African...