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Atlanta's T-SPLOST Referendum and Atlanta Studies

Today Southern Spaces published Edward A. Hatfield's essay "A Well-Tied Knot: Atlanta's Mobility Crisis and the 2012 T-SPLOST Debate," which surveys the challenges of transportation planning in the Atlanta metro region...

Homage to Mississippi John Hurt

This morning when I went to play the scales the strings of the guitar were so cold they might have slept all night in the Holston's South Fork. And the...

Junction City newspaper

...south has been cruel to the negroes; that they have bulldozed them from the polls with shot-guns and other means. Denial or explanation does no good. The south now sends...

Reframing Resistance: A Review of Freedom Now!

Review I remember well seeing Charles Moore's fire hose photographs from Birmingham in my hometown newspaper, the Louisville Courier-Journal. Six-years old in 1963, I had little understanding of the day's...

Selma Bridge: Always Under Construction

...2000, President Bill Clinton and Coretta Scott King led a thirty-fifth anniversary crowd of twenty thousand. Urging celebrants to "look at the South on the other side of the bridge,"...

Cosmopolitanism and Nationalism in Native American Literature: A Panel Discussion

Introduction: Theorists in Dialogue about Native American Literature, Hybridity, and Tribal Sovereignty Craig Womack: Each of the participants who joined me in the Emory discussion on April 22, 2011—Lisa Brooks,...

"Gaps in People's Lacks": James Franco's As I Lay Dying

...the bounds of respectability (another of Faulkner's oft-explored themes) is intimately tied up with their barely landed agrarianism in the face of a South becoming more and more a social...

References
1.	If you don't believe me, consider the fact that The Los Angeles Review of Books has run not one, but two interviews with Franco, as well as a review, in the last six months about his adaptation of Faulkner's As I Lay Dying: Joseph Entin, "Filming Faulkner's Modernism: James Franco's As I Lay Dying," The Los Angeles Review of Books, November 13, 2013, http://lareviewofbooks.org/essay/filming-faulkners-modernism-on-james-francos-as-i-lay-dying; Merve Emre, "Merve Emre Interviews James Franco: James Franco and Matt Rager on 'As I Lay Dying,'" The Los Angeles Review of Books, October 27, 2013, http://lareviewofbooks.org/interview/james-franco-and-matt-rager-on-as-i-lay-dying; Michael Bibler, "Michael Bibler Interviews James Franco," The Los Angeles Review of Books, May 15, 2013, http://lareviewofbooks.org/interview/james-franco-on-his-adaptation-of-faulkners-as-i-lay-dying.
2.	Faulkner himself worked in Hollywood on and off for over two decades, and his ambivalence about film and the place that churned out reel after reel of the stuff is well documented. For more on this, see Tom Dardis' Some Time in the Sun (New York: Scribner's,1976), Ian Hamilton's Writers in Hollywood: 1915–1951 (New York: Carroll & Graf, 1990), Joseph Blotner's Faulkner: A Biography (Jackson: University Press of Mississippi, 1974), and Meta Carpenter Wilde and Oren Borsten's A Loving Gentleman: The Love Story of William Faulkner and Meta Carpenter (New York: Simon and Schuster, 1976).
3.	The 1969 film version of The Reivers, starring Steve McQueen, is enjoyable, but the novel is far more conventional than most of Faulkner's other fiction, making the act of adaptation much simpler.
4.	William Faulkner, As I Lay Dying (New York: Vintage International Edition, 1990).
5.	The intersection of race, class, and the visual arts in Faulkner's fiction is examined in Waid's The Signifying Eye: Seeing Faulkner's Art (Athens: University of Georgia Press, 2013). In the interest of full disclosure, I worked with Dr. Waid on this book as an editorial consultant.

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