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Karen Beck Pooley on Defining Diversity in Segregated Cities

Logo, On Second Thought, Georgia Public Broadcasting. Southern Spaces author Karen Beck Pooley was featured in a June 16, 2015 interview on Georgia Public Broadcasting's radio program On Second Thought....

The Bulletin—November 1, 2012

The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...

The Bulletin—May 15, 2012

Today’s post is the first in an ongoing series compiling links related to news from in and around the US South. We hope these posts will provide space for lively...

Selma Bridge: Always Under Construction

...2000, President Bill Clinton and Coretta Scott King led a thirty-fifth anniversary crowd of twenty thousand. Urging celebrants to "look at the South on the other side of the bridge,"...

Cosmopolitanism and Nationalism in Native American Literature: A Panel Discussion

Introduction: Theorists in Dialogue about Native American Literature, Hybridity, and Tribal Sovereignty Craig Womack: Each of the participants who joined me in the Emory discussion on April 22, 2011—Lisa Brooks,...

Birth Right

...surrounding the legalization of midwifery practices. The filmmakers were introduced to the rich history of midwives in the US South after viewing a 1950s documentary film by George Stoney, All...

The Bulletin—May 8, 2013

The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...

"Gaps in People's Lacks": James Franco's As I Lay Dying

...the bounds of respectability (another of Faulkner's oft-explored themes) is intimately tied up with their barely landed agrarianism in the face of a South becoming more and more a social...

References
1.	If you don't believe me, consider the fact that The Los Angeles Review of Books has run not one, but two interviews with Franco, as well as a review, in the last six months about his adaptation of Faulkner's As I Lay Dying: Joseph Entin, "Filming Faulkner's Modernism: James Franco's As I Lay Dying," The Los Angeles Review of Books, November 13, 2013, http://lareviewofbooks.org/essay/filming-faulkners-modernism-on-james-francos-as-i-lay-dying; Merve Emre, "Merve Emre Interviews James Franco: James Franco and Matt Rager on 'As I Lay Dying,'" The Los Angeles Review of Books, October 27, 2013, http://lareviewofbooks.org/interview/james-franco-and-matt-rager-on-as-i-lay-dying; Michael Bibler, "Michael Bibler Interviews James Franco," The Los Angeles Review of Books, May 15, 2013, http://lareviewofbooks.org/interview/james-franco-on-his-adaptation-of-faulkners-as-i-lay-dying.
2.	Faulkner himself worked in Hollywood on and off for over two decades, and his ambivalence about film and the place that churned out reel after reel of the stuff is well documented. For more on this, see Tom Dardis' Some Time in the Sun (New York: Scribner's,1976), Ian Hamilton's Writers in Hollywood: 1915–1951 (New York: Carroll & Graf, 1990), Joseph Blotner's Faulkner: A Biography (Jackson: University Press of Mississippi, 1974), and Meta Carpenter Wilde and Oren Borsten's A Loving Gentleman: The Love Story of William Faulkner and Meta Carpenter (New York: Simon and Schuster, 1976).
3.	The 1969 film version of The Reivers, starring Steve McQueen, is enjoyable, but the novel is far more conventional than most of Faulkner's other fiction, making the act of adaptation much simpler.
4.	William Faulkner, As I Lay Dying (New York: Vintage International Edition, 1990).
5.	The intersection of race, class, and the visual arts in Faulkner's fiction is examined in Waid's The Signifying Eye: Seeing Faulkner's Art (Athens: University of Georgia Press, 2013). In the interest of full disclosure, I worked with Dr. Waid on this book as an editorial consultant.

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