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Genres of Southern Literature

...1856. Map created by William C. Reynolds and J.C. Jones. Courtesy of the Library of Congress Geography and Map Division, www.loc.gov/resource/g3701e.ct000604/. The quest to classify the literature has continued unabated for...

The Joneses: Home Made in Mississippi

...time Jerry) Jones and I met forty years ago as coworkers—freight clerks and passenger ticket agents at the Greyhound bus station in Jackson, Mississippi. I was a high school senior....

Segregation's New Geography: The Atlanta Metro Region, Race, and the Declining Prospects for Upward Mobility

...professional class.29Ingwerson, "Atlanta Becomes Mecca for Black Middle Class in America." Today, the Atlanta MSA has the third-highest total of black households with incomes above $100,000 (behind only New York...

Crossing Over: Sustainability, New Urbanism, and Gentrification in Austin, Texas

...on the creative class, see Richard Florida, The Rise of the Creative Class: And how it's Transforming Work, Leisure, Community, and Everyday Life (New York: Basic Books, 2002). The city...

Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy

...in the first half of twentieth century. Although best remembered for his memoir Lanterns on the Levee (1941), much of Percy's early poetry contains coded referents to Classic Greek tropes of man-man...

Atlanta's Charis Books and More: Histories of a Feminist Space

...or women from non-middle-class backgrounds. However, as Faderman notes with regard to young lesbians of this period who had been born into poor or working-class families, "the democratization of higher...

Closer to the Ground: A Conversation with Ann Pancake

...know what WVU is like now, but at that time we had a large number of out of state students, partly because our tuition was so cheap, and the whole...

Editorial Style Guide

...are usually used. number of international unions 8; total number of women: 79 When to spell out numbers Spell out numbers from one through one hundred and approximate numbers. It...

References
1.	James H. Dorman, The People Called Cajuns: An Introduction to an Ethnohistory (Lafayette: Center for Louisiana Studies, 1983), 36.
2.	Suzanne Berne, "Swamped," New York Times Book Review (22 Sept. 1996): 16. Kirkus Reviews 11 (Sept. 1996): 991; Rand Richards Cooper, "Local Color," Commonweal 8 (November 1996): 25; Perry Glasser, "True Dirt," North American Review (March.-April 1997): 45.
3.	Andy Solomon, "Books in Brief: Fiction," New York Times Book Review (14 June 1998): 21; John Tait, rev. ofThe Next Step in the Dance by Tim Gautreaux, Missouri Review 21.2 (1998): 212; Susan Larson, "The Writer Next Door," New Orleans Times-Picayune (15 Mar. 1998): E1.
4.	Liam Callanan, "La. Stories," New York Times Book Review (3 Oct. 1999): 31; Susan Balée, "Maximalist Fiction,"Hudson Review 53.3 (2000): 520, 519, emphasis added; Alan Heathcock, "Book Reviews," Mid-American Review 20 (2000): 249-50.
5.	Bob Minzesheimer, "Clearing Is a Cut Above," USA Today (31 July 2003); "The Critics: Briefly Noted," New Yorker (30 June 2003): 101; "PW Forecasts: Fiction," Publishers Weekly (26 May 2003): 49.
6.	Portions of my introduction are adapted from Chapter 1 of Understanding Tim Gautreaux (Columbia: University of South Carolina Press, forthcoming).
7.	See the Recommended Resources, in which I list all of the interviews with Gautreaux that I have found.
8.	Marcia Gaudet, "The Image of the Cajun in Literature," Journal of Popular Culture 23.1 (1989): 77-88.
9.	See Gautreaux's essay "Left-Handed Love," in A Few Thousand Words about Love, ed. Mickey Pearlman (New York: St. Martin's, 1998), 139.
10.	In California to try to mend his relationship with his estranged wife, Louisiana native Paul Thibodeaux orders the only thing he recognizes on the menu, gumbo, and the waiter brings him "a small cauldron of bitter juice so hot with Tabasco that after the third spoonful, Paul broke into a sweat." When asked how it tastes, Paul remarks that was too hot and is told, "It takes time to develop a true Cajun palate," to which Paul responds, "it sure don’t take much time to ruin one" (The Next Step in the Dance [New York: Picador, 1998], 81).
11.	The University of Southwestern Louisiana (USL) is now the University of Louisiana at Lafayette. Vermilionville is a "Cajun/Creole heritage and folklife park [that recreates life in the Acadiana area between 1765 and 1890" and Cajun Village is comprised of "[h]istoric Acadian buildings, restored to house unique specialty shops".
12.	See Chapter 7, "Don't Just Sit There; Do Something: Frustration with Faulkner from Glasgow to Gautreaux," in William Faulkner's Legacy: "what shadow, what stain, what mark" (Gainesville: UP of Florida, 2005).
13.	Collected Stories of William Faulkner (New York: Vintage, 1977), 126.
14.	Gaines made this remark when guest-speaking at a class I took at the University of Southwestern Louisiana (now the University of Louisiana at Lafayette) in the spring of 1986. Gaines also refers to a similar, if not the same, episode in an interview with John Lowe: "Someone asked me when I wrote The Autobiography of Miss Jane Pittman, was I thinking about Dilsey in Faulkner's novel The Sound and the Fury. And I said, 'No, I did not have Dilsey in mind.' And by the way, the difference between Dilsey and Miss Jane Pittman is that Faulkner gets Dilsey talking her story from his kitchen; the young schoolteacher in my book gets Miss Jane's story from Miss Jane's kitchen. And it makes a difference" (John Lowe, "An Interview with Ernest Gaines," Conversations with Ernest Gaines, ed. Lowe, Literary Conversations Series [Jackson: UP of Mississippi, 1995], 313).

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