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"Possum on Terrace": A Typed Manuscript from John Egerton on Journalist Johnny Popham

...they do so with an ironic joviality that highlights the bond that formed between men bound by politics and circumstance. Southern Spaces presents Egerton's tribute to Johnny Popham, "Possum on Terrace: The...

New Digital Archive of Hiphop and Bounce Music in New Orleans

...app but moves toward a physical reality), a community performance space, and a youth internship program. Viewing hip-hop and bounce music in New Orleans as expressive art forms worthy of...

Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011

...former quarry, Arabia Mountain, Georgia, 2010. For this series, Southern Spaces will publish multimedia pieces that engage environmental themes in the interdisciplinary field of environmental studies. Article topics might include...

The Bulletin—August 6, 2013

...gubernatorial candidate Ken Cuccinelli has launched a campaign to bring back Virginia's anti-sodomy law.1 The first proposed law on sodomy in the newly formed United States of America was introduced...

"In the Neighborhood": Towards a Human Geography of US Slave Society

...scholarship, and moves beyond it. Testimony in the pension files of former slaves who served in the Union Army reveals that slaves talked about their society not in terms of...

Submission Process

...of formatting/layout? Does it come with practical, usable media or media ideas? Originality: Has the piece been published elsewhere? Do the arguments seem fresh, or have you heard them before?...

Glocal Lounge

...regions, offers critical scrutiny of any monolithic "South," interrogates historical developments and geographies over time, and maps expressive cultural forms associated with place. Perhaps our blog can serve as a...

Visualizing Spatial History: The Example of Rio de Janeiro

Presentation Part 2: Frank provides an overview of the Stanford Spatial History Project Part 3: Frank discusses creating visualizations that evoke patterns and varieties of spatial mobility, consciousness, and power...

Remnants of Flannery

...or remnants changes received notions of the southern gothic. Excess, monstrosity, perversion, nightmares, rattling machinery: these rhetorical structures give way to less operatic forms in which fragments, residues, or traces...

References
1.	In addition to the HBO series True Blood and the series of novels that inspired the show, Charlaine Harris's The Southern Vampire Mysteries, see A Game of Thrones author George R. R. Martin's early novel Fevre Dream (1982), set on a Mississippi Riverboat in 1857; Anne Rice's The Vampire Chronicles, largely set in-and-around New Orleans; Seth Grahame-Smith's 2010 novel Abraham Lincoln, Vampire Hunter and the 2012 film of the same name, which reimagines slaves as food for vampires and the roots of Lincoln's antislavery crusade following his realization of this in New Orleans; and the television series The Vampire Diaries, set in Virginia and largely filmed in Georgia, among many others.
2.	O'Connor's first novel, Wise Blood, was memorably brought to the screen in 1980 by filmmaker John Huston. Atlanta's Good Country Pictures has acquired the film rights to many of O'Connor's texts, planning to mount a production of The Violent Bear It Away and a television series based on her short stories. Irish filmmaker John Michael McDonagh has also recently stated that he plans to complete his so-called "glorified suicide trilogy"—which currently combines the films The Guard (2011) and Calvary (2014)—with a film that takes its title from O'Connor's story "The Lame Shall Enter First" to star Brendan Gleeson.
3.	The "esteemed zine artists" include: Ashley Anderson, Rebecca Bowen, Jenifer Carter, Alvin Diec, Travis Ekmark, Christine Ernest, Brooke Hatfield, Yoonhwa Jang, Tori LaConsay, Elizabeth McNair, Dan Murdoch, Natalie Nelson, Emily Wallace, and Lydia Walls.
4.	Brooke Hatfield in discussion with the author, September 2014.
5.	Ibid.
6.	Ibid.
7.	Johnny Drago in discussion with the author, September 2014.
8.	Ibid.
9.	Ibid.
10.	Patricia Yaeger, "Ghosts and Shattered Bodies, or What Does it Mean To Still Be Haunted by Southern Literature?," South Central Review 2, no.1 (Spring 2005): 87.
11.	"A Talented Group of Writers and Artists Prove that Flannery O'Connor Walks Among Us Still," The Bitter Southerner, August 2014, http://bittersoutherner.com/flannery-oconnor-walks-among-us-still.
12.	Yaeger, 90.
13.	Ibid.
14.	Flannery O'Connor, The Violent Bear It Away (New York: Farrar, Straus, and Giroux, 1955), 227, emphasis added.
15.	Ibid., 231.
16.	Ibid.
17.	Ibid, 232.
18.	It will be lost on few that "lavender" has long been associated with homosexuality. The so-called "lavender scare" of the 1950s would have been on people's minds upon the novel's publication in 1960. The lavender scare paralleled Joe McCarthy's Red Scare, with McCarthy stating that gays and lesbians were perhaps "even more dangerous than Reds." On April 27, 1953, as O'Connor was preparing to publish "You Can't Be Any Poorer Than Dead," a short story which serves as chapter one in The Violent Bear It Away, President Eisenhower signed Executive Order 10450, which made it legal to hunt down and fire gay and lesbian government employees. The policy lasted until President Clinton officially rescinded it in 1995. What exactly O'Connor is doing with this image and this grotesque act of violence at the novel's close is a question for another forum. Tison Pugh gives an insightful reading of homosexuality in O'Connor's work and this novel in particular in his recent Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature (Baton Rouge: Louisiana State University Press, 2013).
19.	The 1999 thirty-fifth printing of O'Connor's first novel Wise Blood features a barbed-wire heart on the cover. Flannery O'Connor, Wise Blood (New York: Farrar, Straus, and Giroux, 1949).
20.	Richard Fausset, "Emory Receives Archive of Work by O’Connor," The New York Times, October 7, 2014, http://www.nytimes.com/2014/10/08/books/university-acquires-flannery-oconnors-papers-and-effects.html?_r=0.
21.	Flannery O'Connor, "The Regional Writer" in Mystery and Manners: Occasional Prose, ed. Sally Fitzgerald and Robert Fitzgerald (New York: Farrar, Straus, and Giroux, 1969), 58.
22.	O'Connor, Wise Blood, 222.
23.	Brooke Hatfield in discussion with the author, September 2014.
24.	Nancy Marshall, "Andalusia: Photographs of Flannery O'Connor's Farm," Southern Spaces, April 28, 2008, https://southernspaces.org/2008/andalusia-photographs-flannery-oconnors-farm.

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