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John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival

...DVD 606, "Johnny Cash and Roscoe Holcomb." See also: http://shanachie.com/ and William R. Ferris, Michael K. Honey, and Pete Seeger, "Pete Seeger, San Francisco, 1989," Southern Cultures, vol. 13, no....

Petrochemical America, Petrochemical Addiction

...Petrochemical America: A Review by Gwen Ottinger Pipeline and River Road, Donaldsonville, Louisiana, 2010. Photograph by Richard Misrach. Courtesy of Pace/MacGill Gallery, New York; Fraenkel Gallery, San Francisco; and Marc...

Still under the Influence: The Bioregional Origins of the Hub City Writers Project

...Berg, Reinhabiting a Separate Country: A Bioregional Anthology of Northern California (San Francisco: Planet Drum Foundation, 1978), 1. Environmental Protection Agency, Level IV Ecoregions, 2011. Mentored by Sam Hamill and...

Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing

...line, a significant number for such a rural area. The ultra-conservative Crawfordites sought to continue most practices “as in the time of Uncle Reuben.” Since their formation in the 1870s,...

Walking into History: The Beginning of School Desegregation in Nashville

Introduction At high noon, Nashville time, on Monday, May 17, 1954, all nine justices of the United States Supreme Court in Washington joined in a declaration that legally-sanctioned racial segregation...

Katrina + 5: An X-Code Exhibition

...RIGHT QUADRANT — Personal hazards. BOTTOM QUADRANT — Number of live and dead victims still inside the structure. ["0" = no victims] National Urban Search and Rescue (US&R) Response System,...

An Excerpt from The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon

...and San Francisco, where their visibility and numbers result in political clout and political influence. Greenwich Village in New York and the Castro in San Francisco were two models; pioneer...

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

..."listener" of complex national, regional, and local identifications has been a central, contested issue in radio scholarship. Susan Douglas describes the condition: [Radio's] technologically produced aurality allowed listeners to reformulate...

References
1.	Susan Douglas, Listening In: Radio and the American Imagination. (Minneapolis: University of Minnesota Press, 2004), 57.
2.	Ibid, 79.
3.	Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America. (Baltimore, MD: Johns Hopkins University Press, 2000), 10.
4.	Ibid.
5.	Ibid, 116.
6.	Ibid, 287.
7.	Joseph C. Pusateri, Enterprise in Radio: WWL and the Business of Broadcasting in America. (Washington, DC: University Press of America, 1980), 153.
8.	Douglas, 5.
9.	Richard A. Peterson, Creating Country Music: Fabricating Authenticity. (Chicago: University of Chicago Press, 1997), 97.
10.	Kline, 287.
11.	Jacob J. Podber, "The Electronic Front Porch: An Oral History of the Early Effects of Radio, Television, and the Internet on Appalachia and the Melungeon Community." (PhD dissertation: Ohio University, 2001), 121.
12.	Ibid, 143-144.
13.	Ibid, 132-133.
14.	Pusateri, 221.
15.	Ibid.
16.	Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham, NC: Duke University Press, 2007), 15.
17.	Ibid, 16.
18.	Suan Smulyan, Selling Radio: The Commercialization of American Broadcasting, 1920-1934. (Smithsonian Institution Press, 1994), 24.
19.	Ibid, 23.
20.	Kristine M. McCusker, "It Wasn't God Who Made Honky Tonk Angels": Women, Work and Barn Dance Radio, 1920-1960." (PhD dissertation: Indiana University, 2000), 20.
21.	Jeffrey J. Lange, Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. (Athens: University of Georgia Press, 2004), 28.
22.	Peterson, 99, 109.
23.	Pecknold, 16.
24.	Ibid.
25.	Charles Wolfe, Tennessee Strings: The Story of Country Music in Tennessee. (Knoxville, TN: University of Knoxville Press, 1977), 83.
26.	Ibid, 83-85.
27.	Peterson, 232.
28.	David Nusz Black, Television from a Third Coast: A History of Nashville Network and Syndicated Television Production: 1950-1983. (PhD Dissertation: The University of Tennessee, 1996), 393-394.
29.	A Study of the Community of Lafollette, Tennessee. Tennessee State Library and Archive. (Nashville: Public Libraries Division, 1957), 4-5.
30.	Ibid, 50.
31.	Ibid, 20.
32.	Audio interview with Dolly Parton from American Routes. During an interview on American Routes, Parton talks about her musical and family roots in East Tennessee, and about singing on the Cas Walker Show. Available via http://americanroutes.wwno.org/.
33.	Bill Waddell, taped interview by Joe DiCosimo, August 2005.
34.	Ibid.
35.	Ibid.
36.	Waddell, reunion introduction. From tape of Louie Bluie Music and Arts Festival, Caryville, TN, 2007, from the Tennessee State Library and Archives.
37.	Michele Hilmes, Radio Voices: American Broadcasting, 1922-1952. (Minneapolis: University of Minnesota Press, 1997), xvi.
38.	Jody Berland,"Radio Space and Industrial Time: The Case of Music Formats." In Canadian Music: Issues of Hegemony and Identity, eds. Beverly Diamond and Robert Witmer. (Toronto: Canadian Scholars' Press, 1994), 175- 176, 181.
39.	Bill C. Malone, Country Music, U.S.A. (Austin: University of Texas Press, 1985), 369.
40.	A Study of the Community of Lafollette, Tennessee, 5.

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