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"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

...cameras into a series of 360-degree videos.3Janko Roettgers, "Google Is Shutting Down Its Jump VR Video Program," Variety (blog), May 18, 2019, https://variety.com/2019/digital/news/google-jump-shutting-down-1203219306/. We used the Sennheiser Ambeo VR microphone...

"Out long enough to be historic": Racialized Gay Space in Pre-Stonewall San Antonio

...autonomy after World War II (1939–1945) in 1948, the aviation infrastructure was divided into the Kelly Air Force Base, the Randolph Air Force Base, and the Lackland Air Force Base.7John...

Walking into History: The Beginning of School Desegregation in Nashville

...students seeking quality and equality in education, but citizens pursuing fair treatment in all walks of life have benefited from the court's interpretation of the US Constitution in Brown v....

Southern Spaces: A Partial History

...points. According to Mellon program officer Don Waters, the general idea of the initiative was to "explore the requirements for developing scholarly-oriented portal services based on the use of a...

The Battle of Atlanta: History and Remembrance

...ECDS co-director: Wayne Morse Emory Library and Information Technology Services (LITS) Software Engineering Team Software team manager: Mike Mitchell Project manager: Tonia Edwards LITS Library Tech Services: Jonathan Bodnar, Bethany...

Atlanta's Charis Books and More: Histories of a Feminist Space

...decline had been caused by a combination of factors, including "the city's growth and suburban flight" as well as the "razing" of a number of houses "to prepare for expressways...

The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness

...but hearing him instantly reminded me of any number of gifted hillbilly eccentrics I've known, red-state liberals whose local roots run deep and murky."27Aaron Bady, "Airbrushing Shittown," Hazlitt, May 1,...

Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy

...by smartphone apps. As John Walker writes, "LGBTQ people have long used digital spaces as a means of connecting with others like themselves . . . Scruff et al. are...

References
1.	Polly Vernon, "Grindr: a New Sexual Revolution?," The Guardian, July 3, 2010, http://www.guardian.co.uk/media/2010/jul/04/grindr-the-new-sexual-revolution/print.
2.	See Lik Sam Chan, "Ambivalence in Networked Intimacy: Observations from Gay Men Using Mobile Dating Apps," New Media & Society 20, no. 7 (2017): 2566–2581; Mitchell Hobbs, Stephen Owen, and Livia Gerber, "Liquid Love?: Dating Apps, Sex, and the Digital Transformation of Intimacy," Journal of Sociology 53, no. 2 (2016): 271–284.
3.	Robert F. Reid-Pharr, Black Gay Man (New York: NYU Press, 2001), 12.
4.	While my conception is perhaps connotatively less complex, I take "homotexts" from a 1978 essay, "Homotextuality: A Proposal," by scholar Jacob Stockinger, who coined the term "homotextuality" to signify one way the then nascent field of gay and lesbian studies might bridge formalist criticism with thematic approaches. The term "homotextuality" itself has a robust history in transnational academic queer literary scholarship, including Robert K. Martin's "Gay Studies in the Victorian Novel" (Newsletter of the Victorian Studies Association of Western Canada 13, no. 1 (1987): 69–71) and Terry Goldie's Pink Snow: Homotextual Possibilities in Canadian Fiction (Peterborough, ON: Broadview Press, 2003). However, as more recent scholars like Catherine A. Davies have written, in the push for a field of homotextual criticism, Stockinger and others often reduced and conflated specific contexts, unique experiences, and cultural moments: the homotextual became the homotext, finite, concrete, fully knowable and not reflective of the spectrum and unknowability of human sexuality, real and imagined. As Davies writes, this model of "homotextuality" seems "to reduce all experiences of same-sex desire to a singular phenomenon" (32). Following Davies, my use of the terms "homotexts" and "homotextuality" herein is not meant to imply singularity or coherent continuity but intersectional moments where what is convergent or divergent might be observed. For me, these moments take place in the "homotexts": fictional, poetic, and nonfictional published works and the "texts" of square spaces. Like Davies, this essay focuses on the "intersections of these divergent lines of gay experience" (Davies 32, emphasis provided). See Jacob Stockinger, "Homotextuality: A Proposal," in The Gay Academic, ed. Louie Crew (Palm Springs, CA: Etc. Publications, 1978): 135–51 and Catherine A. Davies, Whitman's Queer Children: America's Homosexual Epics (New York: Continuum, 2012).
5.	Xavier Mayne, Imre: A Memorandum (Naples: The English Book-Press, 1906), 146, 111, https://babel.hathitrust.org/cgi/pt?id=mdp.39015019188047;view=1up;seq=7.
6.	Xavier Mayne, The Intersexes: A History of Similisexualism as a Problem in Social Life (Privately Printed, 1908), 86, https://catalog.hathitrust.org/Record/002080887.
7.	Mayne, Imre, 111.
8.	Mayne, Imre, 150. Largely deployed by early "homosexual" thinkers, writers, and advocates like Stevenson, uraninan was once a term used to understand homosexuality, gender variance, and describe same-sex affective bonds.
9.	Mayne, Imre, 111.
10.	Glissant troubles the transparent/opaque binary through his "right to opacity," a right for what one scholar understands as "stubborn shadows." See Nicole Simek, "Stubborn Shadows," symplokē 23, no. 1-2 (2015): 363–373. Glissant states, "As far as I'm concerned, a person has a right to be opaque." See Manthia Diawara's film Un monde en relation (2009). Similarly, he writes in Poetics of Relation, "Opacities can coexist and converge, weaving fabrics. To understand this truly one must focus on the texture of the weave and not on the nature of its components" (190). See Édouard Glissant, Poetics of Relation, translated by Betsy Wing (Ann Arbor: University of Michigan Press, 1997). As Christian Sancto has written, this right need not be understood solely in the judicial-legal sense but as performative. See Sancto, "Visibility in Crisis: Configuring Transparency and Opacity in We Are Here's Political Activism," InVisible Culture 28 (2018), https://ivc.lib.rochester.edu/visibility-in-crisis-configuring-transparency-and-opacity-in-we-are-heres-political-activism/. In many ways, this article pays attention to the intersecting performative textures of the mask woven in queer history as one that has persisted, necessarily so for many subjects even as political visibility has increased and expanded legal rights for LGBTQ+ US subjects.
11.	Another figure of note in this genealogy is William Alexander Percy, who biographer Benjamin E. Wise calls a "sexual freethinker" and who negotiated his same-sex desire against the backdrop of the Mississippi Delta in the first half of twentieth century. Although best remembered for his memoir Lanterns on the Levee (1941), much of Percy's early poetry contains coded referents to Classic Greek tropes of man-man love and friendship in line with other Uranian writers. For an overview of Percy's life and work, see John Howard, "'Our Country'—Benjamin E. Wise's William Alexander Percy," Southern Spaces, April 17, 2012, https://southernspaces.org/2012/our-country-benjamin-e-wises-william-alexander-percy.
12.	See Craig M. Loftin's work for deeper critical insight and overviews of much of this ONE Magazine material; Loftin, Masked Voices: Gay Men and Lesbians in Cold War America (Albany, NY: SUNY Press, 2012); Loftin, ed., Letters to ONE: Gay and Lesbian Voices from the 1950s and 1960s (Albany, NY: SUNY Press, 2012).
13.	Foster Gunnison, Jr., "The Agony of the Mask," The Homosexual Citizen 1, no. 4 (April 1966), Don Kelly Collection in Gay Literature and Culture, Cushing Memorial Library, Texas A&M University.
14.	For an overview of Gunnison's papers, see Charles McGraw, "Archives and Sources: The Papers of Foster Gunnison, Jr, and the Politics of Queer Preservation," History Workshop Journal, no. 65 (2008): 179–187.
15.	Carl Wittman, "A Gay Manifesto," in We Are Everywhere: A Historical Sourcebook of Gay and Lesbian Politics, ed. Mark Blasius and Shane Phelan (New York: Routledge, 1997): 380–388.
16.	"Martha Shelley" is the pseudonym for Martha Altman. For a discussion of her name evolution, see Eric Marcus, "Making Gay History: Martha Shelley," February 21, 2019, in Making Gay History, produced by Nahanni Rous, podcast, mp3 audio, 24:18, https://makinggayhistory.com/podcast/martha-shelley/. See Martha Shelley, "Gay is Good," in We Are Everywhere, ed. Mark Blasius and Shane Phelan, 392.
17.	Steve Edwards, "Those 'Bitches' Need Love Too," NEWSWEST, February 19, 1976, Don Kelly Collection in Gay Literature and Culture, Cushing Memorial Library, Texas A&M University.
18.	See, for example, Roderick A. Ferguson, One-Dimensional Queer (Cambridge, UK: Polity, 2019).
19.	Indeed, there is something to be said for a comparative intersectional analysis of the ways in which the "mask" and "masking" have functioned in other historically marginalized and socio-politically oppressed groups using a not explicitly queer framing. For example, in the African diasporic tradition one could trace "masking" from Paul Lawrence Dunbar's "We Wear the Mask" (1896) to W.E.B. Du Bois's "double-consciousness" (1903) to Franz Fanon's Black Skin, White Masks (1952) to Maya Angelou's spoken-word "Mask," among many other entries in a rhetorical genealogy of black thought.
20.	José Quiroga, Tropics of Desire: Interventions from Latino America (New York: NYU Press, 2000), 22.
21.	See Sara Warner, "Cruising Utopia: The Then and There of Queer Futurity (review)," Modern Drama 54, no. 2 (2011): 255-257. Quoted in Joshua Chambers Letson, Tavia Nyong'o, and Ann Pellegrini, "Foreword: Before and After," Cruising Utopia: The Then and There of Queer Futurity (New York: NYU Press, 2019), xiii.
22.	Quiroga, 3.
23.	Andrew DJ Shield, "Grindr Culture: Intersectional and Socio-Sexual," Ephemera 18, no. 1 (2018): 149–161.
24.	See Lev Manovich, The Language of New Media (Cambridge, MA: MIT Press, 2001); Janet Murray, Inventing the Medium: Principles of Interaction Design as a Cultural Practice (Cambridge, MA: MIT Press, 2011).
25.	Dean challenges scholars to understand "how erotic contact is mediated" and how we "constitute our objects of research via the languages we use to describe it [...] sex is mediated not only by vernacular but also by expert nomenclatures" (225). He writes, "Looking for UAI' [the scholarly acronym for 'unprotected anal intercourse'] is not something you see on Grindr or cruising websites" (225). See Tim Dean, "Mediated Intimacies: Raw Sex, Truvada, and the biopolitics of chemoprophylaxis," Sexualities, 18, no 1/2: 224–246.
26.	John Walker, "Before Grindr and Scruff: A Brief Oral History of Gay Men Finding Each Other Online," Splinter News, July 19, 2016, https://splinternews.com/before-grindr-and-scruff-a-brief-oral-history-of-gay-m-1793860384.
27.	John Howard, "Digital Oral History and the Limits of Gay Sex," in Queering the Countryside: New Frontiers in Rural Queer Studies, ed. Mary L. Gray, Colin R. Johnson, and Brian J. Gilley (New York: NYU Press, 2016), 329, 331.
28.	For excellent studies in some of these areas, see Rusi Jaspal, "Gay Men's Construction and Management of Identity on Grindr," Sexuality & Culture 21, no. 1 (2017): 187–204; Lik Sam Chan, "The Role of Gay Identity Confusion and Outness in Sex-Seeking on Mobile Dating Apps Among Men Who Have Sex with Men: A Conditional Process Analysis," Journal of Homosexuality 64, no. 5 (2017): 622–637; Evangelos Tziallas, "Gamified Eroticism: Gay Male 'Social Networking' Applications and Self-Pornography," Sexuality & Culture 19, no. 4 (2015): 759–775; Jack Turban, "We Need to Talk about How Grindr is Affecting Gay Men's Mental Health," Vox, April 4, 2018, https://www.vox.com/science-and-health/2018/4/4/17177058/grindr-gay-men-mental-health-psychiatrist.
29.	Richard Schneider, Jr., "In Time for the Holidays: 'Cruising,'" Gay and Lesbian Review Worldwide 23, no. 6 (2016): 4.
30.	Reid-Pharr, 12.
31.	Danez Smith, [INSERT] BOY (Portland, OR: Yesyes Books, 2014), 61, 62.
32.	Smith, Don't Call Us Dead (Minneapolis, MN: Graywolf Press, 2017), 32.
33.	Smith, Don't Call Us Dead, 32–33.
34.	Legacy Russell, "Digital dualism and the glitch feminism manifesto," Cyborgology 10 (2012), http://thesocietypages.org/cyborgology/2012/12/10/digital-dualism-and-the-glitch-feminism-manifesto/.
35.	Smith, Don't Call Us Dead, 32.
36.	See David B. Hobbs, "Between the News and a Prayer," The Nation, November 15, 2017, https://www.thenation.com/article/danez-smith-between-the-news-and-a-prayer/.
37.	José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity (New York: NYU Press, 2009), 1.
38.	Smith, Don't Call Us Dead, 48.
39.	Ibid, 51–52.
40.	Jenny Sundén, "On trans-, glitch, and gender as machinery of failure," First Monday 20, no. 4 (2015), https://firstmonday.org/ojs/index.php/fm/article/view/5895/4416.

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