Digital Spaces: A Call for Articles and Multi-Media Projects
...in work that deals with the real and imagined spaces and places of the US South, but we also encourage submissions that model innovative digital scholarship, activism, art, and teaching...
Music and Mobility on the Streets of New Orleans: A Review of Roll with It
...also delves into the internal debates among brass bands regarding "tradition." While members of the "post-Civil Rights" or "hip-hop" generation have brought new fashions, sites of performance, and arrangements of...
A Turning Point for Richmond: The Virginia Historical Society's Civil War Exhibition
...Missouri, Iowa, and Tennessee. At first, this deluge of information does not seem very useful, and the map takes a long time to load the data. When one begins to...
Rebuilding the "Land of Dreams": Expressive Culture and New Orleans' Authentic Future
Rebuilding the Land of Dreams Video Part 2: Spitzer discusses “The Basin Street Blues” and prominent representations of New Orleanians in the realms of work and play Part 3: Spitzer discusses how...
Call for Papers from The Southern Quarterly: Special Issue on "The Mississippi River and Southern Icons"
...of Microsoft Word documents to SouthernQuarterly@gmail.com are preferred over postal delivery. About the Journal: The Southern Quarterly is an internationally-known scholarly journal devoted to the interdisciplinary study of Southern arts...
Rethinking the Geography of Lynching
...lynching in Decatur, Illinois. Dennis Downey examines local responses to a 1903 lynching in Wilmington, Delaware, of a black laborer, George White, accused of assaulting a young white woman. Specifically,...
Elegy for the Native Guards
...the fort remains, near forty feet high round, unfinished, half-open to the sky, the elements—wind, rain—God's deliberate eye. Published: 10 June 2005 © 2005 Natasha Trethewey and Southern Spaces...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...Radcliffe Bailey: Memory as Medicine, prepared by curator Carol Thompson and published by the High Museum of Art in partnership with DelMonico Books and Prestel, presents the show’s thirty-seven works,...
When the Border Crossed Me
Video Charles D. Thompson, Los Rostros del Tiempo: Faces of Time, 2014. Reflection My border odyssey began in 1985 on a farm near Pittsboro, North Carolina. On a hot summer...
Prop Master at Charleston's Gibbes Museum of Art
...Page's frieze shows mirrored iterations of a cropped and abstracted photograph. The photograph, selected from the Gibbes Museum archives of images from past openings, depicts a well-dressed woman's hands, delicately...