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Georgia Postcard

I. Atlanta The black men are fine and abundant at the airport. The women have spent many hours on their hair. II. Sixty-Five MPH All-u-can eat, boiled shrimp, fried fish....

Darkly

...in the air where they held a gun on Willie Edwards and told him he could jump. How you'd ask me — Why? so simple it won't tell a thing...

You Can't Eat Coal, and Other Lessons from Appalachian Women's History

...accessed March 8, 2017, https://www.nytimes.com/2016/09/11/opinion/sunday/we-need-somebody-spectacular-views-from-trump-country.html; John Saward, "Welcome to Trump County, USA," Vanity Fair, February 24, 2016, accessed March 8, 2017, http://www.vanityfair.com/news/2016/02/donald-trump-supporters-west-virginia; Larissa MacFarquhar, "In the Heart of Trump Country,"...

Quilting Conversation

...Corporation, and the Hartsfield-Jackson International Airport). She is a teaching artist affiliated with the High Museum, VSA arts of Georgia, the Atlanta Partnership for the Arts in Learning, and the...

Call for Submissions: Spatial Justice

...Despair: Atlanta's African American, Latino, and White Day Laborers." Southern Spaces, December 21, 2007, https://southernspaces.org/2007/geographies-hope-and-despair-atlantas-african-american-latino-and-white-day-laborers. Frederickson, Mary E. "Back to the Future: Mapping Workers Across the Global South." Southern Spaces, December...

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Georgia Postcard

Darkly

Call for Submissions: Spatial Justice

Flatlands in the Outlands: Photographs from the Delta and Bayou

Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors

"Gaps in People's Lacks": James Franco's As I Lay Dying

References
1.	If you don't believe me, consider the fact that The Los Angeles Review of Books has run not one, but two interviews with Franco, as well as a review, in the last six months about his adaptation of Faulkner's As I Lay Dying: Joseph Entin, "Filming Faulkner's Modernism: James Franco's As I Lay Dying," The Los Angeles Review of Books, November 13, 2013, http://lareviewofbooks.org/essay/filming-faulkners-modernism-on-james-francos-as-i-lay-dying; Merve Emre, "Merve Emre Interviews James Franco: James Franco and Matt Rager on 'As I Lay Dying,'" The Los Angeles Review of Books, October 27, 2013, http://lareviewofbooks.org/interview/james-franco-and-matt-rager-on-as-i-lay-dying; Michael Bibler, "Michael Bibler Interviews James Franco," The Los Angeles Review of Books, May 15, 2013, http://lareviewofbooks.org/interview/james-franco-on-his-adaptation-of-faulkners-as-i-lay-dying.
2.	Faulkner himself worked in Hollywood on and off for over two decades, and his ambivalence about film and the place that churned out reel after reel of the stuff is well documented. For more on this, see Tom Dardis' Some Time in the Sun (New York: Scribner's,1976), Ian Hamilton's Writers in Hollywood: 1915–1951 (New York: Carroll & Graf, 1990), Joseph Blotner's Faulkner: A Biography (Jackson: University Press of Mississippi, 1974), and Meta Carpenter Wilde and Oren Borsten's A Loving Gentleman: The Love Story of William Faulkner and Meta Carpenter (New York: Simon and Schuster, 1976).
3.	The 1969 film version of The Reivers, starring Steve McQueen, is enjoyable, but the novel is far more conventional than most of Faulkner's other fiction, making the act of adaptation much simpler.
4.	William Faulkner, As I Lay Dying (New York: Vintage International Edition, 1990).
5.	The intersection of race, class, and the visual arts in Faulkner's fiction is examined in Waid's The Signifying Eye: Seeing Faulkner's Art (Athens: University of Georgia Press, 2013). In the interest of full disclosure, I worked with Dr. Waid on this book as an editorial consultant.