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Memorializing the Freedom Riders

...and St. Louis to New Orleans and St. Petersburg, Florida, from April to December 1961. Raymond Arsenault's 2006 book, Freedom Riders: 1961 and the Struggle for Racial Justice, gives the...

Keywords for Southern Studies: An Introduction

...field. Instead, this book contains an idiosyncratic collection of essays on keywords that individual scholars have chosen as particularly critical for the project of southern studies as each of them...

An Absence I Know I Won't Reclaim

...Prize for his book Salvation Blues: 100 Poems, 1985-2005. His eight other books include Elegy for the Southern Drawl a finalist for the 2000 Pulitzer Prize, and Transparent Gestures ,...

Reconsidering Appalachian Studies

...southerners to the Midwest during the twentieth century. The book was inspired by his paternal grandparents, who reluctantly left Tennessee in the 1940s, going first to Akron, Ohio, and ultimately...

Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby

...their surviving brothers. The offering of food turns into an offering of human flesh, gesturing that sugar production and consumption are acts of cannibalism. My 2013 book The Tropics Bite...

Ethnic Cleansing and the Trail of Tears: Cherokee Pasts, Places, and Identities

...Texas Cherokees numbered several hundred while around five thousand western Cherokees settled in present-day western Arkansas and eastern Oklahoma. Many of the 16,500 who still inhabited their ancestral homeland in...

Sacred Harp, "Poland Style"

...Sacred Harp singing and specific places have long been a part of the musical form. These connections are even indexed in The Sacred Harp songbook. Composers of many Sacred Harp...

A City Divided

...and black occupancy increased, elite whites became distressed about more African American homes, which they equated with urban disorder. From 1899 to 1910, the number of households within the declared...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...from clarinetist and musical activist Dr. Michael White. White famously lost to the floodwaters an important personal collection: thousands of books and rare recordings, original sheet music and correspondence from...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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