Encountering COVID
...was no help. And the state system was not equipped to handle the massive number of unemployment insurance claims. Before COVID, we usually had about 800 or so claims a...
"Out long enough to be historic": Racialized Gay Space in Pre-Stonewall San Antonio
...her condo in Long Beach, California. I had spent the past few weeks perusing her papers at the ONE National Gay and Lesbian Archives in Los Angeles mostly on a...
Religion and the US South
...South was the movement of increasing numbers of settlers into backcountry areas of Virginia and the Carolinas after 1750. Attracted by inexpensive land, Scotch-Irish Presbyterians, Separate Baptists from the northern...
Slavery's Traces: In Search of Ashley's Sack
...named Rose, valued at $700. The full listing reads: Slave Cicero 1,000, slave Sophia 300, slave Jane 400 Slave Jack 800, slave Rose 700, slave David 800, old woman 100...
Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy
...by smartphone apps. As John Walker writes, "LGBTQ people have long used digital spaces as a means of connecting with others like themselves . . . Scruff et al. are...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...you in Vietnam? GAUTREAUX: I was going to join the Air Force, but they had that draft lottery, and I drew number 361. Number one went, and the further away...
"Beer, Prayer and Nellydrama": (Im)Possibilities in Max Vernon's The View UpStairs
...Delery-Edwards describes the Lounge as a cultural space that sought to insulate patrons from homophobic violence, what Vernon would imagine in a musical number, "The World Outside These Walls."11Max Vernon,...
New Pasts: Historicizing Immigration, Race, and Place in the South
...reasons ranging from debt crisis and peso devaluation in Mexico to civil unrest in parts of South America, from cooling economies and growing anti-immigrant sentiment in Texas and California to...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South
...Rainey in 1924.1Gertrude "Ma" Rainey, vocal performance of "See See Rider Blues" by Ma Rainey and Lena Arant, recorded October 16, 1924, by Paramount, catalogue number 12252, 78 rpm. With "Betty and Dupree,"...