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Diversity and Its Discontents: A Review of Behind the White Picket Fence

Review Sarah Mayorga-Gallo's Behind the White Picket Fence explores how race, class, and ethnicity shape daily life and power sharing in "Creekridge Park," a pseudonymous multiethnic neighborhood located in Durham, North Carolina. In the early...

Envisioning Faulkner and Southern Literature

...years, Holiday herself is on record as having occasionally claimed Baltimore as the city of her birth.) Meanwhile, other major figures, like Mamie Smith, born in Cincinnati, Ohio (just across...

Black Markets and the US-Mexico Border

...'60s and early '70s in Alfred McCoy, The Politics of Heroin: CIA Complicity in the Global Drug Trade, Afghanistan, Southeast Asia, Central America, Colombia (Chicago: Chicago Review Press, 2003), 387–460....

African Americans in Atlanta: Adrienne Herndon, an Uncommon Woman

...She was furthering her drama studies and was also escaping Atlanta, a city that had just undergone the worst racial violence in Georgia. In the Atlanta Race Riot of 1906,...

North Carolina Runaway Slave Advertisements Project

...that Quamino is "marked with his Country Marks," or patterns of facial scarification that served as markers of ethnicity and identification.2Of course, physical markings cannot necessarily be correlated with ethnicity...

Residues of Border Control

...the United States." The quantification of the “success” of enforcement in number of immigrants deported and the imposition of detention quotas on immigration police also dehumanizes immigrants.4Spencer S. Hsu and...

Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"

...know of only one white-authored account. The June 4, 1893, Atlanta Constitution reports that a Mr. W.D. Boggus of Covington has a number of curiosities on display in his place...

Writing Appalachia

...with the remarkable number of fine authors whose works had appeared since the book's publication, made that collection feel incomplete. Aware of those gaps, Higgs and Manning, along with scholar...

References
1.	Websites for locating Appalachian writing include Documenting the American South (docsouth.unc.edu) and Making of America (quod.lib.umich.edu/m/moagrp/).
2.	Outstanding specialized anthologies include W. K. McNeil, ed., Appalachian Images in Folk and Popular Culture (1995); Sandra L. Ballard and Patricia L Hudson, eds., Listen Here: Women Writing in Appalachia (2004); Felicia Mitchell, ed., Her Word: Diverse Voices in Contemporary Appalachian Women's Poetry (2003); Kevin E. O'Donnell and Helen Hollingsworth, eds., Seekers of Scenery: Travel Writing from Southern Appalachia, 1840–1900 (2004); Marita Garin, ed., Southern Appalachian Poetry: An Anthology of Works by Thirty-Seven Poets (2008); Jessie Graves and William Wright, eds., The Southern Poetry Anthology: Contemporary Appalachia (2010); Chris Green, ed., Coal: A Poetry Anthology (2006); and Anthology of Appalachian Writers (a journal-like, serial publication of contemporary Appalachian writing published by Shepherd University).
3.	John C. Campbell, The Southern Highlander and His Homeland (1921); Henry Glassie, Pattern in the Material Folk Culture of the Eastern United States (1968); Terry G. Jordan-Bychkov, The Upland South: The Making of an American Folk Region and Landscape (2003).
4.	William Goodell Frost, "Our Contemporary Ancestors in the Southern Mountains," Atlantic Monthly, 1899. A recent controversial literary example that reinforces the degenerate-culture vision of Appalachia is J. D. Vance's Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (2016). Vance's book has generated so much popular attention on the region that several Appalachian authors, including many of the authors featured in this anthology, decided to write back against Vance's portrayal of Appalachia in Appalachian Reckoning: A Region Responds to "Hillbilly Elegy" (2018). Examples of the degenerate-culture representation in the contemporary media include The Wild and Wonderful Whites of West Virginia (https://www.youtube.com/watch?v=AQBiXDNVeSA); Buckwild (http://www.mtv.com/shows/ buckwild/series.jhtml), Squidbillies (https://www.adultswim.com/search?q=squidbillies), and Saturday Night Live's "Appalachian Emergency Room" (http://www.nbc.com/saturday-night-live/video/appalachian-emergency-room/n12005/).
5.	The contemporary popular media engage less in romanticization of Appalachians, although the trope abounds in the literature. Nothing seems to be filling the beloved shoes of The Waltons (serialized from 1972 to 1981 and made into television movies three times in the 1990s) or Christy, the 1994–1995 television series about a stoic young city girl teaching in the Tennessee mountains in 1912 who gently guides the mountain people away from their bad ways, bringing out their natural goodness. The character Kenneth Parcel, played by Jack McBrayer, on the television comedy 30 Rock (2006–2013) may be the best example of contemporary media's embracing of the "good" qualities of Appalachian people, albeit couched within the all-too-familiar hillbilly stereotypes. Kenneth, from Stone Mountain, Georgia, is unfailingly cheerful, kind, and honest. He is also misogynistic and religiously narrow-minded. He rejects science and supports the Confederacy. References to incest abound when Kenneth is around.
6.	Chad Berry, Philip J. Obermiller, and Shaunna L. Scott, eds, Studying Appalachian Studies: Making the Path by Walking (2015).
7.	Eller, Miners, Millhands, and Mountaineers: Industrialization of the Appalachian South, 1880–1930 (1982), xvii. For a discussion of the commodification and fetishization of Appalachia, see Allen W. Batteau, The Invention of Appalachia (1990).
8.	Batteau, The Invention of Appalachia. See also Henry Shapiro, Appalachia on Our Mind: The Southern Mountains and Mountaineers in the American Consciousness, 1870–1920 (1978).
9.	For a discussion of master narratives in late nineteenth- and early twentieth-century anthologies of southern literature, see Susan Harrell Irons, "Southern Literary Reconstructionists: Shaping Southern Literary Identity, 1895–1915" (Ph.D diss., University of North Carolina, Chapel Hill, 2001).
10.	William Andrews, preface to The Literature of the American South: A Norton Anthology (1998), xxii.
11.	Douglas Reichert Powell, Critical Regionalism: Connecting Politics and Culture in the American Landscape (2007), 10.
12.	Robert J. Higgs and Ambrose Manning, Voices from the Hills: Selected Readings of Southern Appalachia (1975), xvii.
13.	Edward J. Cabbell, "Black Invisibility and Racism in Appalachia: An Informal Survey," in Blacks in Appalachia, ed. William H. Turner and Edward J. Cabbell (1985); Barbara Ellen Smith, "Walk-Ons in the Third Act: The Role of Women in Appalachian Historiography," Journal of Appalachian Studies (1998); Jeff Mann, Loving Mountains, Loving Men (2005).
14.	Betsy K. White, Great Road Style: The Decorative Arts Legacy of Southwest Virginia and Northeast Tennessee (2006).
15.	Strother, "A Winter in the South, Fifth Paper," Harper's New Monthly Magazine (1858), 721.
16.	Rudy Abramson and Jean Haskell, eds., The Encyclopedia of Appalachia (2006), which emphasized the region's urban as well as rural dimensions, pioneered this multi-tiered approach to Appalachian studies. We follow this lead.
17.	John Alexander Williams, Appalachia: A History (2002), 13.
18.	Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism (1988), 127.
19.	C. Hugh Holman, "Appalachian Literature? Two Views," Appalachian Journal (1976), 79.
20.	See, for example, Sylvia Jenkins Cook, From Tobacco Road to Route 66: The Southern Poor White in Fiction (1976).
21.	Fred Chappell, "The Shape of Southern Literature to Come: An Interview with Will Hickson"; and Rodger Cunningham, "Writing on the Cusp: Double Alterity and Minority Discourse in Appalachia," in The Future of Southern Letters, ed. Jefferson Humphries and John Lowe (1996).

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