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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Quilting Conversation

...but also for the variety of relationships to quilting that they each represent. These panelists took the stage and offered their perspectives on the past, present, and future of quilts...

Enchanting the Desert: Visualizing the Production of Space at the Grand Canyon

Presentation Question and Answer Session About the Speaker Nicholas Bauch is assistant professor of GeoHumanities and director of the Experimental Geography Studio at the University of Oklahoma. In addition to...

Tracing the Arctic Regions: Mapping 19th Century Photographs of Greenland

Presentation Question and Answer Session About the Speaker George Philip LeBourdais is a PhD candidate in the Department of Art and Art History at Stanford University. His research explores the...

Brick by Brick: Atlanta’s Collier Heights

...sessions became the 2015 book and photo exhibition, "The View of Collier Heights," staged in the Auburn Avenue Research Library Auxillary Gallery at Atlanta’s Hammonds House Museum. For this Southern...

American Coast, Imperiled Energy: Jason P. Theriot’s American Energy, Imperiled Coast

...Primer," YouTube video, 13:27, posted by Mike Stagg, May 2, 2015, https://www.youtube.com/watch?v=1r8mZIhEg4s&feature=youtu.be; and Richard Thompson, "Legislative Auditor: Louisiana missing out on hundreds of millions of dollars from oil and gas incentive,"...

Managing Malaria: The Emory University Field Station and The Melvin H. Goodwin Papers

...Goodwin would recall the staggering prevalence of malaria throughout the South in an interview nearly thirty years later: . . . Every commercial and educational activity had to plan on...

Central America Protest, Duke University, Durham, North Carolina, March 25, 1984

...staged a march commemorating the assassination of Salvadorian Archbishop Oscar Romero four years earlier. Both CASC and SDCA distributed leaflets and information to people leaving church services about their respective...

Submission Process

...asked to revise and resubmit work in the internal review stage; it’s fairly rare that a piece is sent straight to peer review. Revise and resubmit isn’t a rejection; it’s...

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References
1.	Eric Foner, Reconstruction: America's Unfinished Revolution, 1863–1877 (New York: Harper and Row, 1988).
2.	Shawn Lay, The Invisible Empire in the West: Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s, ed. Shawn Lay (Urbana: University of Illinois Press, 1992): 56.
3.	Mark Auslander, "Driving Back into the Light: Traversing Life and Death in a Lynching Reenactment by African Americans," in Vehicles: Cars, Canoes and other Metaphors of Moral Imagination, eds. David Lipset and Richard Handler (New York: Berghahn Books, 2014): 178–193.
4.	Teresa Lenox, "The Carver Village Controversy," Tequesta: The Journal of the Historical Museum of South Florida, no. 50 (1990): 39–51.
5.	Robert Franklin Williams, Negroes with Guns (Detroit: Wayne State University Press, 1962): xiv. In July 1965, gunfire from the Deacons for Defense and Justice dispersed a Klan motorcade firing shots at African American homes in Bogalusa, Louisiana.[fn]Christopher B. Strain, "'We Walked Like Men': The Deacons for Defense and Justice," Louisiana History: The Journal of the Louisiana Historical Association 38, no. 1 (1997): 43.
6.	David Cunningham, There's Something Happening Here: The New Left, the Klan, and FBI Counter-Intelligence (Berkeley: University of California Press, 2005).
7.	Mark Auslander, "'Holding on to Those Who Can't Be Held'": Reenacting a Lynching at Moore's Ford, Georgia," Southern Spaces, November 8, 2010, https://southernspaces.org/2010/holding-those-who-cant-be-held-reenacting-lynching-moores-ford-georgia.
8.	Although opponents of the flag often assume it was used by the Ku Klux Klan from the time of the organization's founding in 1865, there is little evidence that the Klan used the flag until the 1940s (John Coski,The Confederate Battle Flag: America's Most Embattled Emblem [Cambridge: Belknap Press of Harvard University Press, 2005]: 85–96.) To be sure, the founders of the first Klan were Confederate veterans and honored the memory of the Lost Cause, and many second Klan members from 1915 through World War II felt great loyalty to the memory of the Confederacy, but they appear to have shared the prevailing white Southern sentiment that the flag was best reserved for honoring the Confederate dead in cemeteries and in solemn commemorative marches. From the time of General Robert E. Lee's surrender at Appomattox until the mid-1940s, the flag was largely under the control of heritage organizations such as the Sons of Confederate Veterans and the United Daughters of the Confederacy. From 1945 onwards, the revised Klan made extensive use of the Confederate battle flag, at times in conjunction with cross burnings at Stone Mountain and other sites. Following the war, members of the elite white fraternity Kappa Alpha increasingly displayed the flag at football games and in "Old South" processions. The rise in public flag display coincided with growing white southern resistance to Truman's civil rights proposals. The flag was widely used in the 1948 National States Rights Democratic Party, the "Dixiecrats," although it was never adopted as the party's official emblem. By 1951, Roy V. Harris, editor of the Augusta Courier and former speaker of the Georgia House of Representatives would write that the flag, "is becoming to be [sic] the symbol of the white race and the cause of the white people. The Confederate flag means segregation" (Coski, 137).
9.	Coski, 126.
10.	Auslander, "Driving Back into the Light," and "'Holding on to Those Who Can't Be Held.'"
11.	Gwendolyn Brooks, "The Chicago Defender Sends a Man to Little Rock, Fall 1957," in The Bean Eaters (New York: Harper, 1960).
12.	Laura Wexler, Fire in a Canebrake: The Last Mass Lynching in America (New York: Scribner, 2003).