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The Tulip Quilt [ca 1880]

...the Spartanburg Herald on May 19, 1875, offered "Singer's celebrated sewing machines, the cheapest and the best sewing machine, for sale on easy terms." In the same issue, McK. Johnstone...

Preserving the Memory of Ybor City, Florida

...of regional history. The Burgert Brothers archive is no exception.1The photos in this section can be found at the library website, although in many ways this archive made by a...

LiFT Art Salon: Hammonds House II

...read the late twentieth century writings of Octavia Butler, Steven Barnes, and Samuel R. Delany alongside the visual images of early 20th century artists, like Aaron Douglas. Exploring connections across genres and time periods, as...

Music and Mobility on the Streets of New Orleans: A Review of Roll with It

...Glen David Andrews as they were playing the traditional spiritual 'I'll Fly Away.' The charges were Disturbing the Peace and Parading without a Permit" (56).2Ironically, Kerwin James was best known...

Three AM and the Stars Were Out

When the phone rings way too late for good news, just another farmer wanting me to lose half a night's sleep and drive some backcountry wash-out for miles, fix what...

Battle of Atlanta Project Discussion and Exhibit Set for July 17 at Emory's Woodruff Library

...Thursday, July 17, at 6:30 p.m. in the Joseph W. Jones Room. Developed by the Emory Center for Digital Scholarship (ECDS), the smartphone-friendly tour provides GPS directions and mapping, historical...

Nostalgia May Not Be the Right Word

...a spring but sink into which trees and highway, bank and fields are sipped away to minuteness. All split on the present then merge in stretched perspective, radiant in reverse,...

Editors

...the McLemore Prize by the Mississippi Historical Society, and the nonfiction award given by the Mississippi Institute of Arts and Letters. He is co-editor with Matthew D. Lassiter of The...

Residues of Border Control

...open the possibility of a different kind of welcoming. The photographs change the framing of the border away from a security-maximizing stance and towards a depiction of immigrants as subjects....

References
1.	All photographs: Susan Harbage Page, Chapel Hill, North Carolina. Copyright © 2009 and 2010. All rights reserved.
2.	Judith Butler, Frames of War. When Is Life Grievable (London: Verso, 2009), 25.
3.	Arizona Senate Bill 1070, signed into law on April 23, 2010, controversially makes it a misdemeanor to be an alien in Arizona without carrying registration documents and requires law enforcement officials to determine a person's immigration status if there is "reasonable suspicion" that the person is an "illegal alien." It also establishes penalties for harboring or transporting an undocumented immigrant and allows law enforcement to arrest any individual without warrant if they believe this person is “removable from the United States."
4.	Spencer S. Hsu and Andrew Becker, "ICE Officials Set Quotas to Deport More Illegal Immigrants," The Washington Post, March 27, 2010.
5.	The practice of formally detaining border crossers (as opposed to simply returning them across the border) has become more prevalent since the implementation of Operation Streamline in 2005. See ACLU and National Immigration Forum, "Operation Streamline Fact Sheet," (Washington, DC: National Immigration Forum, 2009).
6.	The map traces the journeys into the United States of members of an adult ESL course Harbage Page taught with Lauren McGrail and Dani Moore called Project Focus. It was a collaboration between Voices and Casa Multicultural and was funded by the North Carolina Community College System and the Durham Arts Council, 2000. The image is a page from an alphabet book produced in class. The maps are Polaroid images of a large map in the classroom where each student marked their journey from their home country to Durham, North Carolina with string. The writing was done by Guillermina Flores Godinez.
7.	Migration Policy Institute, “States Ranked by Percentage Change in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). These figures explain why the South has been identified as one of the “new” immigration destinations, areas that, unlike California, Florida, New York, and Texas, were not traditional “immigrant states” until the last two decades. Jamie Winders refers to the US South as one of the “nontraditional” destinations for the Latino immigrant population, whose rates of growth have reached up to 500% in certain cities between 1990 and 2005. Jamie Winders, "Changing Politics of Race and Region: Latino Migration to the U.S. South," Progress in Human Geography 29, no. 6 (2005): 683-4. The 2010 census reflects this phenomenon, showing that those “areas that had been home to the most immigrants” show a flat growth in “foreign born population” while some rural and suburban areas with less than 5% of immigrant population in 2000 show increases of more than 60%. Sabrina Tavernise and Robert Gebeloff, "Immigrants Make Paths to Suburbia, Not Cities," in The New York Times (New York: 2010).
8.	Migration Policy Institute, “States Ranked by Numeric Difference in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). The Pew Hispanic Center 2010 census tabulations of growth in Hispanic population (i.e., not necessarily foreign born) show that South Carolina, Alabama, Tennessee, Kentucky, Arkansas, North Carolina, and Mississippi figure among the top ten states. Immigrants from Mexico, the Caribbean, Central America and South America constitute approximately 53% of the total foreign born population. In Georgia, Virginia, and North Carolina they make up 54.5%, 36.1%, and 57.3%, respectively. See Tables 3 and 13 in Pew Hispanic Center “Statistical Portrait of the Foreign Born Population in the United States, 2009” in Pew Hispanic Center February 17 (Pew Research Center, 2011).
9.	Nicholas De Genova, "The Legal Production of Mexican/Migrant "Illegality"," Latino Studies 2, no. 2 (2004), Guillermina Gina Núñez and Josiah McC. Heyman, "Entrapment Processes and Immigrant Communities in a Time of Heightened Border Vigilance," Human Organization 66, no. 4 (2007); Inés Valdez, "Sovereignty and the City: Raiding, Detaining, and Domestic Immigration Policing" (paper presented at the Annual Meeting of the Western Political Science Association, San Francisco, April 3-5 2010); Mathew Coleman, "The "Local" Migration State: The Site Specific Devolution of Immigration Enforcement in the US South," Law & Policy forthcoming (2011).
10.	Desmond King and Inés Valdez, "From Workers to Enemies. National Security, State Building and America’s War on Illegal Immigrants," in Narrating Peoplehood in Plural Societies: The United States, Canada and Denmark in Historical Experience and Theoretical Perspective, ed. Michael Bøss (Aarhus: Aarhus Academic Press, 2011).
11.	President Reagan launched the project of the museum on occasion of the centennial of the Statue of Liberty in 1986. He moved Ellis Island to the purview of the National Park Service, merged it with the Statue of Liberty and created a public-private partnership that was led by Lee Iacocca, himself the son of an immigrant and the American dream come true. Luke Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," Social & Cultural Geography 5, no. 3 (2004).
12.	De Genova, "The Legal Production of Mexican/Migrant 'Illegality.'", Judith Smith, "Celebrating Immigration History at Ellis Island," American Quarterly 44, no. 1 (1992): 85.
13.	Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," 437.
14.	A wall with over 700,000 names (at the time of writing) exists in Ellis Island. Individuals or families can add their names for a fee of $150. Entries are received for all ports of entry and years of arrival, with the common element being the “celebration of American migration” (see the museum’s site for the wall of honor). The opening of the “wall” to all immigrants is significant and worthy of praise, yet the story that is portrayed by the museum is still devoted to the earlier migratory wave, one restricted in time and not predominantly originating in the Western Hemisphere.
15.	The photographs in fact represent the physical archive that is being created and kept by Harbage Page.

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