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Africana Archives: Making Art at the Schomburg

...black scholars and institutions committed to using their intellectual powers to create and support the development of a better world for black people are called to do. My work at...

Local Color

...are "colored" by regionally defined characters, settings, folkways, and dialects. The paradox, and thus the richness, of this often discounted form lies in the tension between local and national that...

Front Page

Low Country Travelers: An African American Car Club of Charleston County, South Carolina

John McWilliams, Hampton Plantation, McClellanville, South Carolina, 1973. In the early 1970s, John was teaching photography at Georgia State University when we discovered McClellanville through Robert Frank’s photograph “Barber shop...

Public Health in the US and Global South

...entrenchment of health disparities; the ways that race and gender shape and are shaped by health policy; and the inseparable connection between health justice and health advocacy. Public health scholarship...

"Looking Back and Moving Forward": The Records of the Southern Christian Leadership Conference at Emory University's Manuscript, Archives, and Rare Book Library

...some material from the presidency of Martin Luther King, III (1997–2003). The records starkly display the differences in leadership styles, particularly between Abernathy and Lowery. Researchers can also chart the...

Brick by Brick: Atlanta’s Collier Heights

...developed, financed, designed, and constructed by African Americans for African American residents.2See Betsy Riley, "Collier Heights awarded Local Historic district status," Atlanta Magazine, May 16, 2013, http://www.atlantamagazine.com/civilrights/collier-heights-awarded-local-historic-district-status/; U.S. Department of the...

The Carolina Piedmont

...Scotch-Irish Piedmont Carolinian, Andrew Jackson turned his wrath upon the Creeks of Georgia and Alabama. Routes of Carolina Piedmont Settlement From the 1730s, immigrants entered the region not so much...

Remnants of Flannery

...the three extra characters to spare. (O'Connor's work and image have long been associated with the image of the peafowl she raised at her Andalusia Farm in Milledgeville, Georgia, and...

References
1.	In addition to the HBO series True Blood and the series of novels that inspired the show, Charlaine Harris's The Southern Vampire Mysteries, see A Game of Thrones author George R. R. Martin's early novel Fevre Dream (1982), set on a Mississippi Riverboat in 1857; Anne Rice's The Vampire Chronicles, largely set in-and-around New Orleans; Seth Grahame-Smith's 2010 novel Abraham Lincoln, Vampire Hunter and the 2012 film of the same name, which reimagines slaves as food for vampires and the roots of Lincoln's antislavery crusade following his realization of this in New Orleans; and the television series The Vampire Diaries, set in Virginia and largely filmed in Georgia, among many others.
2.	O'Connor's first novel, Wise Blood, was memorably brought to the screen in 1980 by filmmaker John Huston. Atlanta's Good Country Pictures has acquired the film rights to many of O'Connor's texts, planning to mount a production of The Violent Bear It Away and a television series based on her short stories. Irish filmmaker John Michael McDonagh has also recently stated that he plans to complete his so-called "glorified suicide trilogy"—which currently combines the films The Guard (2011) and Calvary (2014)—with a film that takes its title from O'Connor's story "The Lame Shall Enter First" to star Brendan Gleeson.
3.	The "esteemed zine artists" include: Ashley Anderson, Rebecca Bowen, Jenifer Carter, Alvin Diec, Travis Ekmark, Christine Ernest, Brooke Hatfield, Yoonhwa Jang, Tori LaConsay, Elizabeth McNair, Dan Murdoch, Natalie Nelson, Emily Wallace, and Lydia Walls.
4.	Brooke Hatfield in discussion with the author, September 2014.
5.	Ibid.
6.	Ibid.
7.	Johnny Drago in discussion with the author, September 2014.
8.	Ibid.
9.	Ibid.
10.	Patricia Yaeger, "Ghosts and Shattered Bodies, or What Does it Mean To Still Be Haunted by Southern Literature?," South Central Review 2, no.1 (Spring 2005): 87.
11.	"A Talented Group of Writers and Artists Prove that Flannery O'Connor Walks Among Us Still," The Bitter Southerner, August 2014, http://bittersoutherner.com/flannery-oconnor-walks-among-us-still.
12.	Yaeger, 90.
13.	Ibid.
14.	Flannery O'Connor, The Violent Bear It Away (New York: Farrar, Straus, and Giroux, 1955), 227, emphasis added.
15.	Ibid., 231.
16.	Ibid.
17.	Ibid, 232.
18.	It will be lost on few that "lavender" has long been associated with homosexuality. The so-called "lavender scare" of the 1950s would have been on people's minds upon the novel's publication in 1960. The lavender scare paralleled Joe McCarthy's Red Scare, with McCarthy stating that gays and lesbians were perhaps "even more dangerous than Reds." On April 27, 1953, as O'Connor was preparing to publish "You Can't Be Any Poorer Than Dead," a short story which serves as chapter one in The Violent Bear It Away, President Eisenhower signed Executive Order 10450, which made it legal to hunt down and fire gay and lesbian government employees. The policy lasted until President Clinton officially rescinded it in 1995. What exactly O'Connor is doing with this image and this grotesque act of violence at the novel's close is a question for another forum. Tison Pugh gives an insightful reading of homosexuality in O'Connor's work and this novel in particular in his recent Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature (Baton Rouge: Louisiana State University Press, 2013).
19.	The 1999 thirty-fifth printing of O'Connor's first novel Wise Blood features a barbed-wire heart on the cover. Flannery O'Connor, Wise Blood (New York: Farrar, Straus, and Giroux, 1949).
20.	Richard Fausset, "Emory Receives Archive of Work by O’Connor," The New York Times, October 7, 2014, http://www.nytimes.com/2014/10/08/books/university-acquires-flannery-oconnors-papers-and-effects.html?_r=0.
21.	Flannery O'Connor, "The Regional Writer" in Mystery and Manners: Occasional Prose, ed. Sally Fitzgerald and Robert Fitzgerald (New York: Farrar, Straus, and Giroux, 1969), 58.
22.	O'Connor, Wise Blood, 222.
23.	Brooke Hatfield in discussion with the author, September 2014.
24.	Nancy Marshall, "Andalusia: Photographs of Flannery O'Connor's Farm," Southern Spaces, April 28, 2008, https://southernspaces.org/2008/andalusia-photographs-flannery-oconnors-farm.

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