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History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

...Prohibition, the Depression, wars, recessions, fires, hurricanes, floods, mobsters, raids, crackdowns, segregation, integration, white flight, hippies, rappers, evangelists, the oil bust, the dot-com bust, and relentless cycles of cultural tastes"...

The Mobility of Faith: Cross Sections of Haitian Religion in Miami

...challenge or shore up social structures. The Haitian diaspora evades easy categorization (78). In Crossing the Water and Keeping the Faith, collusio serves as a theoretical orientation for Haitian American...

Reconsidering Appalachian Studies

...development schemes (whether they come from the top down or from grass-roots efforts)? How can Appalachian Studies take an active role in reimagining (and evaluating) new types of economic development,...

Three AM and the Stars Were Out

When the phone rings way too late for good news, just another farmer wanting me to lose half a night's sleep and drive some backcountry wash-out for miles, fix what...

The Civil War and Emancipation 150 Years On

...latest technology: Princess phones played recorded messages and elaborate electric maps traced troop movements. A Mercury space capsule proudly perched nearby, an incongruous and yet resonant symbol of the unified...

Emory University Team Launches Mobile Tour App for Historic Battle of Atlanta Sites

...history, the smartphone-friendly tour provides GPS directions and mapping, historical information about each of its twelve stops, and multimedia content including video and historical images. It requires no download and...

Saints at the River and Selected Poems

...the gravestones leaned as if even the dead were listening. Three AM and the Stars Were Out When the phone rings way too late for good news, just another...

LiFT Art Salon: Hammonds House II

...and inspiration, realizing that they were creating something that other people wanted to experience.1Aku Kadogo, phone interview with author, March 10th, 2016, Atlanta, Georgia. Transcription by author. The students' performances...

LiFT Art Salon: Hammonds House

...House Museum.1Miriam Denard, phone interview with author, January 15th, 2016, Atlanta, Georgia. Transcription by author Donnie sings in the courtyard, Atlanta, Georgia, July 12, 2015. Photograph by Clint Fluker. Courtesy of...

References
1.	See King, "This book is the record of an extensive tour of observation through the States of the South and South-west during the whole of 1873, and the Spring and Summer of 1874" (i).
2.	See King's subtitle: "A Record of Journeys in Louisiana, Texas, the Indian Territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland."
3.	See Jennifer Greeson, Our South: Geographic Fantasy and the Rise of National Literature (Cambridge, MA: Harvard University Press, 2010).
4.	"The emergence of William Faulkner as the centerpiece of narrowly focused notions of Southern identity seemed to crystallize the inward-looking aspect of the discipline" (5).
5.	In a June 2001 special issue of American Literature, Houston A. Baker, Jr. and Dana D. Nelson coined the phrase "new Southern Studies" as an "emerging collective already producing a robust body of work" in rethinking southern culture (231). Baker and Nelson cite Patricia Yaeger's Dirt and Desire (2000) as one of these works. Baker's Turning South Again (2001) represents his own venture at this scholarship.
6.	Lowe cites Glissant, Foucault, Bhabha, and Brent Staples as further influences. See Paul Gilroy, The Black Atlantic: Modernity and Double-Consciousness (Cambridge, MA: Harvard University Press, 1995); Joseph Roach, Cities of the Dead (New York: Columbia University Press, 1996). One can see Lowe approaching the term "circumCaribbean" in his earlier article on these subjects; in writing of Roach's "path-breaking" work, Lowe praises him for adumbrating "a culture of performance that circles around the Caribbean rim" (71). See Lowe, "'Calypso Magnolia': The Caribbean Side of the South," South Central Review 22, no. 1, 54–80.
7.	Lowe broached this type of critical move at moments. In his final chapter, he posits a reading of Cristina García's The Agüero Sisters alongside Faulkner's Absalom, Absalom!. However, the aims of Calypso Magnolia seem to be more syncretic and surveying (317).
8.	As Brown writes in her review of Lowe's earlier "Calypso Magnolia," "I can see many benefits of using the sea… to find points of connection between the South and the Caribbean" (83).
9.	Other than a passing reference to Faulkner's Mississippi, the only traditionally defined "southern" writer to appear in Island People is Georgian Flannery O'Conner, whose relationship to depictions of race is mentioned in reference to Jean Rhys (12, 367).
10.	Joshua Jelly-Schapiro, "Introduction," in The Traveller's Tree: A Journey through the Caribbean Islands (New York: New York Review of Books, 1950, 2011), ix–x.
11.	José Quiroga, Tropics of Desire: Interventions from Queer Latino America (New York: New York University Press, 2000), xiii.
12.	The reader follows Jelly-Schapiro from Kingston's Myrtle Bank Hotel (44) to Havana's Hotel Nacional (99) and Havana Hilton (100) to San Juan's Condado Vanderbilt Hotel (175) to La Romana's Casa de Campo (216), Port-au-Prince's Hotel Oloffson (260), George Town's unnamed Hotwire.com recommendation (281), Grenada's Heliconia guesthouse (296), to Antigua's Sandals and "Florida-style condos" (309), St. John's Heritage Hotel (310), Fort-de-France's Hotel L'Imperatrice (336), Dominica's Pointe Baptiste (369), and finally, Jelly-Schapiro's last stop, Trinidad's "ugly new Hyatt" (400).
13.	A small list of Island People's inhabitants: in Puerto Rico (via the Bronx), we find Rita Moreno, Pedro Albizu Campos, Luis Muñoz Marín, Tito Puente, "El Cantante" Héctor Lavoe all sharing the same island; in the Dominican Republic, we read about tigueres, the Coliseum of Cockfighting (208), the "sex economy" (206), Trujillo, "los morenos" and a lack of "pride" in "racial hybridity" (221, 203), perejil and el corte; in Haiti, centered in the text, "at the core of the Caribbean story" (226), again revealing C. L. R. James's influence, the same perejil and el corte, Kreyol, the Massacre River, Toussaint L'Ouverture, Dessalines, the Citadel and Henri Christophe, Boukman, the Duvaliers, Tonton Macoutes, Carnival of Flowers and earthquakes where the "'earth moved like a wave and all was ruined'" (261), Titanyen and bodies, Wyclef Jean, Cité Soleil, Katherine Dunham, and "people's invisibility to their own state" (265); in the Lesser Antilles, we read about George Lamming and Rihanna, Paule Marshall, Jamaica Kincaid, Maurice Bishop, Barbuda's "breeding myth" (308), Montserrat's "volcano crisis" (315), Martinique's Aimé Césaire, Glissant, Fanon, Chamoiseau, and other "literary riches" (358), Jean Rhys and Dominica's "Candy Land for lovers of nature and calm" (365).

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