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The Makers of the Sacred Harp

...In the case of the “revival spiritual songs” that began to appear in great numbers in 1840s tunebooks, including The Sacred Harp, Steel speculates that some may have had their...

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

...of fancy.2Edith Mayfield Wiggins, telephone conversation with author, July 10, 2014. Hers was a childhood surrounded by art publications and crafts in various media, and included museum trips to New...

Dixie Destinations: Rereading Jonathan Daniels's A Southerner Discovers the South

...the summer of 1938. By taking to the road, Daniels was following the lead of a number of writers who set out to see the United States in the midst...

Hillside Refuge: Tornado Shelters in Northeast Mississippi

...number of reported tornadoes in the state each year is twenty-five, with sixty-two the highest number reported in a single year, and five the fewest. The average number of tornado-related...

Just a number, Old Bryce Hospital Cemetery, Tuscaloosa, Alabama, 2007

Shades of Violence: Jim Crow Justice and Black Resistance in the Depression-Era South

...Alabama has provided the setting for a number of influential studies on race, labor, and radicalism in the Jim Crow South. Yet in shifting attention from Scottsboro's sleepy courthouse square...

Shared Space, Separate Pasts: Versions of Slavery in Charleston

...bucked the Republican tide that was sweeping the "Solid South" (286). In early 1976, spurred by black activists and supported by the city's newly elected progressive white mayor, Joseph P....

Slipping Boundaries: The Tenacity of Aaron Henry

Presentation About the Author John Howard is Emeritus Professor of Arts and Humanities at King's College London. He is interested in the historical production of human differences and their attendant...

Memorializing the Freedom Riders

...2009. The city of Anniston in northeast Alabama (population 24,276 in 2000), once the state's fourth largest city, now ranks twelfth in the state. Racial strife is only one antecedent...

Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"

...know of only one white-authored account. The June 4, 1893, Atlanta Constitution reports that a Mr. W.D. Boggus of Covington has a number of curiosities on display in his place...

References
1.	Odum's account is quoted in a laudatory article about the sheriff in the Atlanta Journal Constitution, 26 May 1968, p. 172.
2.	We assume this Indigenous leader was Muscogee, but the older African American oral accounts we heard referenced him as "Indian" or "Native American."
3.	Newspaper accounts from the following year state that Boggus wore a ring made from the "bone of an Indian warrior," exhumed from a plundered burial site near Covington (Macon Telegraph, 16 March 1894, p. 4). The individual in question, Woodson D. Boggus (c. 1868–1936), worked in the early twentieth century in Waco, Texas and in Payne, Oklahoma as an oil lease broker before returning to his home state of Georgia.
4.	Newton County, Georgia—created December 24, 1821, from Henry, Jasper, and Walton Counties—was based in three ceded Native territories. Under the terms of the 1805 Treaty of Washington, the 1818 Treaty at Creek Agency, and the 1821–25 Treaty of Indian Springs, all Muscogee lands in Georgia were ceded.
5.	The 1805 Treaty of Washington between the United States and the Creek Nation references the "Ulcofauhatche" river; the term was used through the nineteenth century and was later anglicized to the "Alcovy" River. RaeLynn A. Butler, manager of the Historic and Cultural Preservation Department of the Muscogee Nation, notes that the Mvskoke spelling of the river would be: "orko ofv hvcce," meaning Pawpaw ("Orko," pronounced oth-go), river, or stream. Non-natives, she explains, must have heard "al-co" when mvskoke speakers were saying "oth-go" (RaeLynn A. Butler, personal note to author). See also Jonathan S. Tonge, Ulcofauhatchee: A Guide to Life Along the Alcovy River. Covington: Georgia Wildlife Federation, 2011.
6.	The precise motivations behind the 1979 changes in the Muscogee Constitution remain deeply contested. Defenders of the 1979 Constitution maintain the change in tribal citizenship was motivated by a desire to recognize only those Creek persons with sufficient Creek blood quanta as Creek citizens. Creek Freedman activists, in turn, insist the disenrollment of the Freedmen was motivated by racial animus, and illegitimately expelled many people whose ancestors had been considered Muscogee for multiple generations.
7.	"Program Schedule." In the Wake of Slavery and Dispossession: Emory, Racism, and the Journey towards Restorative Justice. Emory Libraries. Accessed February 3, 2022. https://libraries.emory.edu/slavery-symposium/program-schedule.html.
8.	"Acknowledging the Ancestors with Readings, Music, and Prayer." Emory University. October 13, 2021. YouTube video. 1:13:29. The blessing and song by Cherbon Kernell and the blessing by Rev. Avis Williams are found at (00:00–11:30). https://www.youtube.com/watch?v=ELGjnpgdgJE&list=PLDSBylqXf9oGHja1c3mknOqz8JcVYMNfT&index=6.
9.	The history of the song "Espoketis Omes Kerreskos" is explored in the 2014 film This May Be the Last Time (dir. Sterlin Harjo). More broadly, the film engages with the intertwined histories of Scottish Congregational line song, African American spirituals, and Muscogee (Creek) songs.
10.	W.E.B. DuBois, "Of the Sorrow Songs," The Souls of Black Folk. Chicago: A.C. McClurg, 1903. Wikisource. https://en.wikisource.org/wiki/The_Souls_of_Black_Folk/XIV. In the first chapter of African Creeks (Norman: University of Oklahoma Press, 2007), Gary Zellar notes that early Christian missionization and evangelism in the Creek Nation in Georgia and Alabama was primarily associated with persons of African descent enslaved in Muscogee (Creek) communities.

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