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Three AM and the Stars Were Out

When the phone rings way too late for good news, just another farmer wanting me to lose half a night's sleep and drive some backcountry wash-out for miles, fix what...

Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves

...modalities and transdisciplinary vocabularies for comparing creative works across the broader Caribbean. About the Author Aaron Witcher is a PhD Candidate in French and Francophone Studies at The Pennsylvania State...

Saints at the River and Selected Poems

...the gravestones leaned as if even the dead were listening. Three AM and the Stars Were Out When the phone rings way too late for good news, just another...

Emory University Team Launches Mobile Tour App for Historic Battle of Atlanta Sites

...history, the smartphone-friendly tour provides GPS directions and mapping, historical information about each of its twelve stops, and multimedia content including video and historical images. It requires no download and...

The Civil War and Emancipation 150 Years On

...latest technology: Princess phones played recorded messages and elaborate electric maps traced troop movements. A Mercury space capsule proudly perched nearby, an incongruous and yet resonant symbol of the unified...

Quilting Conversation

...Corporation, and the Hartsfield-Jackson International Airport). She is a teaching artist affiliated with the High Museum, VSA arts of Georgia, the Atlanta Partnership for the Arts in Learning, and the...

Reframing Resistance: A Review of Freedom Now!

Review I remember well seeing Charles Moore's fire hose photographs from Birmingham in my hometown newspaper, the Louisville Courier-Journal. Six-years old in 1963, I had little understanding of the day's...

Diversity and Its Discontents: A Review of Behind the White Picket Fence

...the map correspond to a given neighborhood's Partners Against Crime (PAC) district. Click on the Durham Hoods link to navigate to more detailed maps. Mayorga-Gallo's "Creekridge Park" is situated within...

Authorship in Africana Studies

...Brandywine Workshop in Philadelphia. But their stories continued to elude me. Finally I approached my colleague and art partner, the poet Opal Moore and asked her to live with my...

References
1.	See Giovanna Covi, "Oroonoko's Genderization and Creolization: Joan Anim-Addo's Imoinda," in Revisiting and Reinterpreting Aphra Behn: Proceedings of the Aphra Behn Europe Seminar ESSE Conference (Entrevaux, France: Bilingua GA Editions, 2002), 83–92.
2.	Lubaina Himid, "Fragments: An Exploration of Everyday Black Creativity and its Relationship to Political Change," Feminist Arts News Vol. 2, no. 8 (1988): 8.
3.	Serena Guarracino, "Imoinda's Performing Bodies: An Interview with Joan Anim-Addo," in I am Black/White/Yellow: An Introduction to the Black Body in Europe, eds. Joan Anim-Addo and Suzanne Scafe (Londong: Mango Publishing, 2007): 212–223.
4.	See Giovanna Covi, Modernist Women Race Nation: Networking Women 1890–1950: Circum-Atlantic Connections (London: Mango Publishing, 2005).
5.	Guarracino, "Imoinda's Performing Bodies" 212–223.
6.	Guarracino, "Imoinda's Performing Bodies," 212–223.
7.	Lisa Marchi, "The Transformative Potential of Imoinda: An Interview with Joan Anim-Addo," Synthesis 7 (2015):154–163. http://synthesis.enl.uoa.gr/perspectives-from-the-radical-other-7-2015.html.
8.	Opal Moore, "Artist's Statement," in Children of Middle Passage, Arturo Lindsay and Opal Moore, eds. (Lindsay and Moore, 2006)
9.	The deep connections between especially the most elite American universities and slavery is becoming ever more clear. Brown University, the College of William and Mary, Harvard University, Emory University, the University of Maryland, the University of North Carolina at Chapel Hill, the University of Virginia, Yale University, and Columbia University, among many others, either held slaves directly, utilized slave labor in the building of their campuses, traded slaves as commodities, greatly supported the work of slavery apologists (and later apologists for colonization and segregation), or more likely some rich combination of all these things. The main campus of Johns Hopkins University is built on the former Homewood Plantation. Tours through the still standing main house are a regular part of campus life. For more on this matter see, Craig Steven Wilder, Ebony and Ivy: Race, Slavery, and the Troubled History of America's Universities (New York: Bloomsbury Press, 2013).
10.	Sylvia Wynter, "The Ceremony Must be Found: After Humanism," boundary 2 vol. 12, no. 3 – vol 13, no. 1 (Spring–Autumn, 1984): 47.
11.	Wynter, "The Ceremony," 49.

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