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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

LiFT Art Salon: Hammonds House II

...to appreciate smelly old books, discolored newspapers, and indecipherable manuscripts. I blame my parents—after all, they planted the seed that is now blossoming into full-blown archive fever. #DareToBe promotional materials,...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film...

New Adventures in Tandem Ethnography

...in the corner of the room, making small talk in Cajun French even though my "project" tries to avoid nativist ideologies about Louisiana culture.2For instance, the ideologies that promote a...

Slavery's Traces: In Search of Ashley's Sack

...the newly opened Smithsonian National Museum of African American History and Culture (NMAAHC) in Washington, DC. Evidently a seed sack made of unbleached cotton fabric dating to the mid-nineteenth century,...

The Liminal Site

...Absalom! In William Faulkner, Novels 1936–1940, ed. by Joseph Blotner and Noel Polk (New York: Library of America, 1990), 111. Edward O. Wilson claims we are hardwired to want to live...

Nostalgia May Not Be the Right Word

...the other way to west, to wilderness, to where the future waits to open out its shining promise, destiny. Backwater meant new water then, where greatness waited, tilted toward the...