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Enslaved Labor and Building the Smithsonian: Reading the Stones

...up the C & O Canal from the capital city. After extensive field research and laboratory tests on local stone deposits, geologist David Dale Owen, brother of Congressman Robert Dale...

Ossabaw Island Flyover

...on Ossabaw. Featuring sweeping aerial views and audio annotations explaining the island's varied environmental features, this video is organized around four sequential but overlapping themes: fauna, flora, landscapes, and human...

Sapelo Island Flyover

...and English colonization of Sapelo in the eighteenth and nineteenth centuries heavily modified the local ecosystems. Following the American Revolution, alteration of the local environment continued throughout the early to...

Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Three

...those of us who work in the educational system are like all the other workers of the world— including having the product of our labor, in this case our intellectual...

Transcript of "When I Say 'Steal,'Who Do You Think Of?": Part One

...the big Alabama coal company where her husband had worked. She had worked at Health-Tex for a while, and then Lynne Fashions, they made fancy knits for Jonathan Logan, all...

Call for Submissions: Public Health and/in the US and Global South

...Ellen Griffith Spears, and Kate Orff. "Petrochemical America, Petrochemical Addiction." Southern Spaces, November 26, 2013. https://southernspaces.org/2013/petrochemical-america-petrochemical-addiction. Hill, Sarah. "Cherokee Removal Scenes: Ellijay, Georgia, 1838." Southern Spaces, August 23, 2012. https://southernspaces.org/2012/cherokee-removal-scenes-ellijay-georgia-1838....

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film...

References
1.	David Denby, "Privilege and Bad Manners," The New Yorker, January 7, 2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film critics are using the concocted incident as a chance to convene a "Communist-style special 'Emergency Meeting' supposedly in the interest of legislating 'decorum'—a meeting based entirely upon something that none of them actually heard and one that is really intended to purge me from the Circle." See Scott Feinberg, "Embattled Film Critic Armond White: I Never Heckled Steve McQueen," The Hollywood Reporter, January 7, 2014, http://www.hollywoodreporter.com/race/embattled-film-critic-armond-white-669032.
2.	Pitt's presence in the film is one of 12 Years a Slave's few missteps. Having such a recognizable star come in and play a kind of angel figure distracts us from both the miracle of Northup's staying alive and the power of Ejiofor's performance. Had the role been played by a younger, less well-known actor, it would have highlighted the randomness of Northup's delivery from bondage. This problematic choice to cast Pitt (perhaps made by Pitt himself in his role as producer) has had repercussions outside of the film itself, as a poster advertising 12 Years a Slave's Italian release featured a huge headshot of Pitt looming over a much smaller full-body profile of Ejiofor. The poster was quickly recalled, but not before it led to a backlash from critics who felt the marketing was focusing on the film's white stars (there was also a poster featuring Michael Fassbender, who at least has a lot of screen time) at the expense of its two black leads, Ejiofor and Lupita Nyong'o. The poster was made by a third-party distributor and reflects a long-term problem Hollywood has had in marketing films focusing on people of color, particularly in international markets.
3.	Recently, Phil Robertson, one of the stars of the astoundingly popular A&E television show Duck Dynasty, gave an interview to GQ in which he said (among many other things) that: "I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field. . . . They're singing and happy. I never heard one of them, one black person, say, 'I tell you what: These doggone white people'—not a word! . . . Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues." See Drew Magary, "Duck Dynasty's Phil Robertson Gives Drew Magary a Tour," GQ, January 2014, http://www.gq.com/entertainment/television/201401/duck-dynasty-phil-robertson.

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