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Ungesund: Yellow Fever, the Antebellum Gulf South, and German Immigration

...warned that the region was "visited each year by the yellow fever" and insisted that even the interior or rural portions of the Carolinas and Georgia were not safe.69Francis Grund,...

Slavery's Traces: In Search of Ashley's Sack

...Peeples quadrangle, South Carolina-Georgia [map]. First Edition 1943. 1:62,500. Reston, Va: United States Department of the Interior, USGS, 2016. As of this writing, there is no direct documentary proof that...

DOIs and Altmetrics

...the circulation of a given piece, measuring circulation in badges that detail readers’ engagement. For example, the Altmetric page for Thomas Chase Hagood's "Georgia Slavery, Georgia Freedom", shows how many...

The Bulletin—July 2, 2013

...Georgia had the constitutional right to kill Troy Leon Gregg.1Incidentally, Gregg was never executed because he escaped from Georgia State Prison the night before his scheduled execution in 1980, only...

Red J. Store on Carroll Street, ca. 1910–1920

...did Cabbagetown look and feel like between the late nineteenth century and the late 1970s when the neighborhood's industrial identity was in its heyday? Georgia Tech's Fulton Bag and Cotton...

Call for Submissions: Spatial Justice

...16, 2011, https://southernspaces.org/2011/back-future-mapping-workers-across-global-south. Hill, Sarah H. "Cherokee Removal Scenes: Elijay, Georgia, 1838." Southern Spaces, August 23, 2012, https://southernspaces.org/2012/cherokee-removal-scenes-ellijay-georgia-1838. Kirpalani, Neeta and Emily Jackson. "Birth Right." Southern Spaces, January 12, 2010, https://southernspaces.org/2010/birth-right...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

Review In the early hours of June 29, 2014, a Bourbon Street shootout left twenty-one-year-old Brittany Thomas, a visitor to New Orleans, dead and nine other bystanders injured.1Ken Daley, "Bourbon...

Call for Submissions: Public Health and/in the US and Global South

...Ellen Griffith Spears, and Kate Orff. "Petrochemical America, Petrochemical Addiction." Southern Spaces, November 26, 2013. https://southernspaces.org/2013/petrochemical-america-petrochemical-addiction. Hill, Sarah. "Cherokee Removal Scenes: Ellijay, Georgia, 1838." Southern Spaces, August 23, 2012. https://southernspaces.org/2012/cherokee-removal-scenes-ellijay-georgia-1838....

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...runaway slave from Georgia, hiding the fact that he was once a free man from most of the people he met in order to avoid even more brutal treatment. Northup's...

References
1.	David Denby, "Privilege and Bad Manners," The New Yorker, January 7, 2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film critics are using the concocted incident as a chance to convene a "Communist-style special 'Emergency Meeting' supposedly in the interest of legislating 'decorum'—a meeting based entirely upon something that none of them actually heard and one that is really intended to purge me from the Circle." See Scott Feinberg, "Embattled Film Critic Armond White: I Never Heckled Steve McQueen," The Hollywood Reporter, January 7, 2014, http://www.hollywoodreporter.com/race/embattled-film-critic-armond-white-669032.
2.	Pitt's presence in the film is one of 12 Years a Slave's few missteps. Having such a recognizable star come in and play a kind of angel figure distracts us from both the miracle of Northup's staying alive and the power of Ejiofor's performance. Had the role been played by a younger, less well-known actor, it would have highlighted the randomness of Northup's delivery from bondage. This problematic choice to cast Pitt (perhaps made by Pitt himself in his role as producer) has had repercussions outside of the film itself, as a poster advertising 12 Years a Slave's Italian release featured a huge headshot of Pitt looming over a much smaller full-body profile of Ejiofor. The poster was quickly recalled, but not before it led to a backlash from critics who felt the marketing was focusing on the film's white stars (there was also a poster featuring Michael Fassbender, who at least has a lot of screen time) at the expense of its two black leads, Ejiofor and Lupita Nyong'o. The poster was made by a third-party distributor and reflects a long-term problem Hollywood has had in marketing films focusing on people of color, particularly in international markets.
3.	Recently, Phil Robertson, one of the stars of the astoundingly popular A&E television show Duck Dynasty, gave an interview to GQ in which he said (among many other things) that: "I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field. . . . They're singing and happy. I never heard one of them, one black person, say, 'I tell you what: These doggone white people'—not a word! . . . Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues." See Drew Magary, "Duck Dynasty's Phil Robertson Gives Drew Magary a Tour," GQ, January 2014, http://www.gq.com/entertainment/television/201401/duck-dynasty-phil-robertson.

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