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Struggle Against Disease and Discrimination: The Jesse Peel Papers

Southern Spaces is pairing with Emory University's Manuscript, Archives and Rare Books Library (MARBL) to publish short features on MARBL collections, events, and exhibits that tell the history of spaces...

Buffalo Mountain Windfarm, Anderson County, Tennessee, 2005

Janet Powell, Buffalo Mountain Windfarm, Anderson County, Tennessee, 2005. Located north of Oak Ridge and about thirty miles northwest of Knoxville, Buffalo Mountain Windfarm was built in the 2000s as...

Roadside Architecture

Introduction Como, Mississippi, 2004 I'm a very curious person. I don't pretend to know much about certain things, but I greatly enjoy the process of learning about things that pique...

Burning bright, Tysons Corner, Virginia, 2009

Preserving the Memory of Ybor City, Florida

...Hillsborough County The Burgert Brothers Photographic Collection http://digitalcollections.hcplc.org/cdm/landingpage/collection/p15391coll1 The Burgert Brothers photography studio, originally located at 1310 1/2 7th Avenue in the heart of Ybor City's business district, operated from...

Hijacking Public Housing: A Review of New Deal Ruins

...public housing complex and later nominated to the National Register of Historic Places, Techwood Homes followed "a classic pattern of de facto demolition" (102). With the housing authority failing to...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...reinforced many of the lessons provided during my extracurricular activities. Classes and conversations with Professors Sonia Sanchez, Bettye Collier Thomas, Greg Carr, Valethia Watkins, and Mario Beatty, among others, strengthened...

Black Markets and the US-Mexico Border

...Power: The Rise of Classes and Nation States, 1760–1914 (New York: Cambridge University Press, 1993). Several other key texts, both old and new, engage directly with the problem of state...

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

...rights movement, careers in social work and business, and her experiences as a wife, mother, and grandmother. A native of High Point, North Carolina, Magee lived most of her adult...

Blues in the Lower Chattahoochee Valley

...largely unknown. The Lower Chattahoochee is most well-known as home to Gertrude "Ma" Rainey (1882–1939), one of the most celebrated early "classic blues" singers. The mostly band-oriented style that Rainey popularized, however,...

References
1.	Evans, David. "The Development of the Blues." Chapter. In The Cambridge Companion to Blues and Gospel Music, edited by Allan Moore, 20–43. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2003.
2.	Fred Fussell, A Chattahoochee Album: Images of Traditional People and Folksy Places Around the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 2000), 1.
3.	Fred Fussell, Chattahoochee Album, 1–2.
4.	Fussell, 2.
5.	Fussell, 5.
6.	Fussell, 89.
7.	Email communication with the author, August 4, 2020.
8.	Liner notes from William Robertson's LP South Georgia Blues.
9.	"Cecil Barfield," Big Legal Mess Records, accessed August 5, 2020. https://biglegalmessrecords.com/collections/cecil-barfield.
10.	Precious Bryant, interview, 2003.
11.	Press bio, Terminus Records.
12.	George Mitchell, liner notes for the Revival Records LP George Henry Bussey and Jim Bunkley.
13.	Fussell, Fred. "'Cowboy' George Daniel: Blues Man from Creek Stand," Chattahoochee Tracings: Newsletter of the Historic Chattahoochee Commission, Volume 31, Fall 2003, p. 5.
14.	Email communication with the author, August 4, 2020.
15.	Bruce Bastin, Red River Blues: The Blues Tradition in the Southeast (Champaign: University of Illinois Press, 1986), 151.
16.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
17.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
18.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
19.	Green Paschal, interview, 1969.
20.	Green Paschal, interview, 1969.
21.	While some of the lyrical qualities of blues had longstanding roots in African American culture, the signature twelve-bar blues form didn't emerge until around 1900.
22.	Angela Y. Davis, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York: Vintage Books, 1999), 126.
23.	Lawrence Levine, Black Culture and Black Consciousness: Afro-American Thought from Slavery to Freedom (New York: Oxford University Press, 1975), 269–270.
24.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
25.	Bruce Bastin, "Truckin' My Blues Away—East Coast Piedmont Styles" in Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn (New York: Abbeville Publishing Group, 1999), 209.
26.	Phone interview with Jake Fussell and the author on May 28, 2020.
27.	Dance Teacher Magazine, www.dance-teacher.com.
28.	David Evans, "Black Fife and Drum Music in Mississippi," Mississippi Folklore Register 6 (Fall 1972): 94–95.
29.	Alan Lomax, The Land Where the Blues Began (New York: The New Press,1993), 333.

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