Sprinkle Creek, North Carolina
...Sprinkle Creek with NCDOT geologist, Rick Lockamy, to conduct core rock sampling, Sprinkle Creek, NC, 2994. Photo courtesy of Rob Amberg. NCDOT geologist, Rick Lochamy, studying maps in preparation for...
CDC in the Pandemic's Wake
Commentary Multiple COVID-19 waves have left in their wake compelling evidence of long overlooked gaps in pandemic readiness and responsiveness. The primary lesson for the US public health and healthcare...
"Rights Still Being Righted": Scottsboro Eighty Years Later
...Americans from jury pools.1Powell v. Alabama, 287 US 45 (1932); Norris v. Alabama, 294 US 587 (1935). Carol M. Highsmith, Scottsboro Boys Museum and Cultural Center, Scottsboro, Alabama, 2010. Courtesy...
History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street
...laterally via competitive forces" (146). This American success myth, described by film scholar Julie Levinson as incorporating "the dream of rags-to-riches, the image of the can-do American, the credo of...
The Greatest Slave Rebellion in Modern History: Southern Slaves in the American Civil War
Video Part 2: The Greatest Slave Rebellion in Modern History: Southern Slaves in the American Civil War Part 3: The Greatest Slave Rebellion in Modern History: Southern Slaves in the American...
Undoing the Voting Rights Act
...racial disparity burdens only a small number of minority voters in a small, rural polling place, does the relatively "small" size of the harm argue against a finding of a...
Deep Ellum Blues
...Ellum Area This hyper-American model of speculative growth has left little room for the old, at least until very recently. For such a young city, the new becomes the old,...
Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves
...Programme. Creative Commons License CC BY-NC-SA 2.0. As the variety of objects featured in Water Graves indicates, Loichot's relational methodology echoes and enacts principles of Édouard Glissant's notion of "Relation,"...
The X-Codes: A Post-Katrina Postscript
...numbers and letters in each quadrant of the X, recorded coded information. Later, as I recalled my odyssey through drowned areas of the city, I kept returning to that visual...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...