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Trying the Dark: Mammoth Cave and the Racial Imagination, 1839–1869

...and finally the "Jordan." While the first two names are borrowed from classical mythology, the Old Testament "Jordan" invokes slavery.22Spirituals such as "Go Down Moses" invoked the Jordan River to...

Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy

...in the first half of twentieth century. Although best remembered for his memoir Lanterns on the Levee (1941), much of Percy's early poetry contains coded referents to Classic Greek tropes of man-man...

Opening at the Center for Documentary Studies at Duke University

Tom Rankin, Delta Winter, Bolivar County, Mississippi, 2010. Tom Rankin is stepping down as the director of the Center for Documentary Studies at Duke University after fifteen years of service....

Mississippi as Metaphor State, Region, and Nation in Historical Imagination

Mississippi as Metaphor Part 2: Dr. Crespino discusses and suggests the limits of James Silver’s image of Mississippi as “the closed society” Part 3: Dr. Crespino traces the idea of Mississippi as...

Toxic Knowledge: A Review of Baptized in PCBs

...blood carried "outrageously high" levels of the class of toxic chemicals known as PCBs, manufactured by Monsanto, and that the soil in her yard contained PCB levels "above what the...

Roadside Architecture

Introduction Como, Mississippi, 2004 I'm a very curious person. I don't pretend to know much about certain things, but I greatly enjoy the process of learning about things that pique...

Burning bright, Tysons Corner, Virginia, 2009

Preserving the Memory of Ybor City, Florida

...Hillsborough County The Burgert Brothers Photographic Collection http://digitalcollections.hcplc.org/cdm/landingpage/collection/p15391coll1 The Burgert Brothers photography studio, originally located at 1310 1/2 7th Avenue in the heart of Ybor City's business district, operated from...

Hijacking Public Housing: A Review of New Deal Ruins

...public housing complex and later nominated to the National Register of Historic Places, Techwood Homes followed "a classic pattern of de facto demolition" (102). With the housing authority failing to...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...reinforced many of the lessons provided during my extracurricular activities. Classes and conversations with Professors Sonia Sanchez, Bettye Collier Thomas, Greg Carr, Valethia Watkins, and Mario Beatty, among others, strengthened...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.

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