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Enslaved Labor and Building the Smithsonian: Reading the Stones

...Laborers in the Construction of the United States Capitol, Report by the Architect of the Capitol," June 1, 2005, https://emancipation.dc.gov/sites/default/files/dc/sites/emancipation/publication/attachments/History_of_Slave_Laborers_in_the_Construction_of_the_US_Capitol.pdf. Was this true for the Smithsonian as well? First, a...

An Excerpt from The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon

...and San Francisco, where their visibility and numbers result in political clout and political influence. Greenwich Village in New York and the Castro in San Francisco were two models; pioneer...

"It's Being Black and Poor": Race, Class, and Desegregation at Pebblebrook High

...as a result of desegregation, only 37% of black students attended mostly black schools, by the year 2000, that number had grown to 69%, quickly approaching the 1968 numbers for...

Ramp Hollow: The Ordeal of Appalachia

...Bailey interviewed by Mary Hufford on April 12, 1996 (AFC 1999/008), http://hdl.loc.gov/loc.afc/afccmns.104007; Virgil Jarrell interviewed by Mary Hufford on May 23, 1996 (AFC 1999/008), http://hdl.loc.gov/loc.afc/afccmns.117004. The political economy of the...

You Can't Eat Coal, and Other Lessons from Appalachian Women's History

...accessed March 8, 2017, https://www.nytimes.com/2016/09/11/opinion/sunday/we-need-somebody-spectacular-views-from-trump-country.html; John Saward, "Welcome to Trump County, USA," Vanity Fair, February 24, 2016, accessed March 8, 2017, http://www.vanityfair.com/news/2016/02/donald-trump-supporters-west-virginia; Larissa MacFarquhar, "In the Heart of Trump Country,"...

Authorship in Africana Studies

...Transformative Potential of Imoinda: An Interview with Joan Anim-Addo," Synthesis 7 (2015):154–163. http://synthesis.enl.uoa.gr/perspectives-from-the-radical-other-7-2015.html. 12 Years a Slave marquee at the 36th Mill Valley Film Festival, October 11, 2013. Photograph by...

Writing Appalachia

...Wonderful Whites of West Virginia (https://www.youtube.com/watch?v=AQBiXDNVeSA); Buckwild (http://www.mtv.com/shows/ buckwild/series.jhtml), Squidbillies (https://www.adultswim.com/search?q=squidbillies), and Saturday Night Live's "Appalachian Emergency Room" (http://www.nbc.com/saturday-night-live/video/appalachian-emergency-room/n12005/). Distorted though they may be, those two views of Appalachia are...

Seeds of Rebellion in Plantation Fiction: Victor Séjour's "The Mulatto"

Introduction Cyrille Bissette (1795–1858). Print by François Le Villain originally published in Joseph Elzéar Morénas's Précis historique de la traite des noirs et de l'esclavage colonial, contenant l'origine de la traite, ses progrès,...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...number of African Americans migrating to the South exceeded the number of those leaving the region. Especially for returning and primary migrants frustrated by the declining economic opportunities available in...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.

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