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The Medicalized Border and the Politics of Exclusion

...showing the locations of Brownsville, Laredo, and Eagle Pass, 1882. Courtesy of Library of Congress Geography and Map Division, catalog number 98688791. Fevered Measures surveys smallpox and yellow fever epidemics...

Bodies and Souls

...clinic would give me an opportunity to explore issues around race, religion, and sexuality. But as I visited clinic after clinic, I saw that the most prevalent and overwhelming healthcare...

Ponce de Leon Springs Postcard

"A DASTARDLY CRIME: A Negro Assaults' [sic] a Lady Near Ponce de Leon Springs."

...to Ponce de Leon spring and was returning, picking berries along the way, with her little niece who had accompanied her. "It was about ten o'clock, and as they were...

Still Digging Our Own Graves: Coal Miners and the Struggle over Black Lung Disease

...male. However, since at the least the 1970s, women have worked in the mines, including underground, albeit in small numbers. I use the language of "wives and widows" because most...

Making Space: A Review of Robert Paulett's An Empire of Small Places

Review Understanding the creation of social spaces in an unfamiliar landscape is, according to Robert Paulett, a productive way to account for eighteenth-century developments in the American Southeast, particularly in...

Prop Master at Charleston's Gibbes Museum of Art

...institution, so long dominated by a privileged few. Background Material, 2009 Juan Logan and Susan Harbage Page Wood, fabric, paint, and paper Juan Logan's Background Material: Wallpaper, a...

Louisiana: Crossroads of the Atlantic World

...Louisiana remained in practice what historian Kathleen Duval refers to as a "Native Ground" well into the nineteenth century.1Kathleen DuVal, The Native Ground: Indians and Colonists in the Heart of the...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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