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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Eggleston's South: "Always in Color"

...uncle, the photographer shoots at an angle that minimizes this statement of deference and places both men in the rough center of the image along a low horizontal line. Jasper...

A City Divided

...may not have occurred to whites to demand black residential segregation; after all, social codes and local and state ordinances controlled much of the interaction between whites and blacks already...

Good-Bye to All That?

...their voting forms, since they often shared a common facial expression: anger. To paraphrase the oft-quoted line from the 1976 film Network, they were mad as hell and they weren't...

Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves

...to track along gender and racial lines in the U.S. Eileen Patten, "Racial, gender wage gap persists in U.S. despite some progress," Pew Research Center, July 1, 2016, https://www.pewresearch.org/fact-tank/2016/07/01/racial-gender-wage-gaps-persist-in-u-s-despite-some-progress/. Though...

Watching the Surface for a Sign

...Phillips' use of autobiography and family history, investigation of the natural world, and the legacy of white supremacy in Forsyth County. Part 2: Phillips discusses “Brass Knuckles,” ambivalences of place...