"Rights Still Being Righted": Scottsboro Eighty Years Later
...Americans from jury pools.1Powell v. Alabama, 287 US 45 (1932); Norris v. Alabama, 294 US 587 (1935). Carol M. Highsmith, Scottsboro Boys Museum and Cultural Center, Scottsboro, Alabama, 2010. Courtesy...
History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street
...laterally via competitive forces" (146). This American success myth, described by film scholar Julie Levinson as incorporating "the dream of rags-to-riches, the image of the can-do American, the credo of...
The Greatest Slave Rebellion in Modern History: Southern Slaves in the American Civil War
Video Part 2: The Greatest Slave Rebellion in Modern History: Southern Slaves in the American Civil War Part 3: The Greatest Slave Rebellion in Modern History: Southern Slaves in the American...
The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World
...Richard Weyhing is an assistant professor of history at State University of New York at Oswego specializing in early American history, Native American history, and history of the Atlantic World....
Unquiet Emmett Till
...Urban History at Loyola University Chicago. His books and articles embrace multiple aspects of urban and American culture, particularly the history of various social groups in American cities since 1800....
Deep Ellum Blues
...Ellum Area This hyper-American model of speculative growth has left little room for the old, at least until very recently. For such a young city, the new becomes the old,...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
Quilting Conversation
Introduction by Katherine Jentleson During the summer of 2018, Atlanta's High Museum of Art hosted Outliers and American Vanguard Art, an exhibition that demonstrated how self-taught artists have been major...
Shaping a Southern Soundscape
...generation of academics have named it the southern imaginary—runs deep in American culture. We know that it defines, ensnares, and empowers whites and blacks. We know it has tremendous flexibility...
Prop Master at Charleston's Gibbes Museum of Art
...was African American. The stacked rows of small black boxes that support the platform suggest the unacknowledged role of African Americans in upholding this culture and sustaining its economic structure....