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Keywords for Southern Studies: An Introduction

...2006). Bottom, cover to Matthew D. Lassiter and Joseph Crespino's The Myth of Southern Exceptionalism (Oxford: Oxford UP, 2009). For many contemporary scholars, the present slipperiness of the US South...

Whiskey and Geography

...Wood, Jr., From Ulster to Carolina: The Migration of the Scotch-Irish to Southwestern North Carolina (Raleigh: North Carolina Department of Cultural Resources, Division of Archives and History, 1998), 33. Corn...

Forgotten Locavores: Letters and Literature of Market Bulletins

...at Chapel Hill for digitizing the 1920s market bulletins from Raleigh, North Carolina, which appear in the video. This presentation, given at Woodruff Library at Emory University, April 24, 2012,...

Off-Season

...the city sprawled out like scattered masonry and split rails, Raleigh, smoked factory winds and speak easy halls. A white chicken fell off a Tyson rig, just a bit ahead...

Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011

...Earl Dotter, Environmental activist volunteers, Raleigh County, West Virginia, 2005. From Coalfield Generations: Health, Mining and the Environment. Southern Spaces editors will work with authors, photographers, artists, and videographers in...

St. Catherines Island Flyover

Video and Essay One of the barrier islands along the Georgia coast of the Atlantic Ocean, St. Catherines has an extraordinary ecological and settlement history. First inhabited more than four...

University of Texas Press and Southern Spaces Katrina Bookshelf Series Collaboration

...was nearly emptied of life. If measured by the number of lives it claimed, Katrina does not qualify as the worst disaster in our history. But it was far and away...

The Makers of the Sacred Harp

...the last several decades its popularity has been spreading. Even before the publication of the 1991 edition of The Sacred Harp, rumors circulated among Sacred Harp singers that musicologist and...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...© FoxSearchlight. In an attempt to break (but not kill) two slaves with one whip, Epps binds Patsey to a post and demands that Northup lash her. This order is...

References
1.	David Denby, "Privilege and Bad Manners," The New Yorker, January 7, 2014, http://www.newyorker.com/online/blogs/culture/2014/01/steve-mcqueen-armond-white-controversy.html. In a statement to the Hollywood Reporter, White refers to himself as "the strongest voice that exists in contemporary criticism," and claims that several influential New York film critics are using the concocted incident as a chance to convene a "Communist-style special 'Emergency Meeting' supposedly in the interest of legislating 'decorum'—a meeting based entirely upon something that none of them actually heard and one that is really intended to purge me from the Circle." See Scott Feinberg, "Embattled Film Critic Armond White: I Never Heckled Steve McQueen," The Hollywood Reporter, January 7, 2014, http://www.hollywoodreporter.com/race/embattled-film-critic-armond-white-669032.
2.	Pitt's presence in the film is one of 12 Years a Slave's few missteps. Having such a recognizable star come in and play a kind of angel figure distracts us from both the miracle of Northup's staying alive and the power of Ejiofor's performance. Had the role been played by a younger, less well-known actor, it would have highlighted the randomness of Northup's delivery from bondage. This problematic choice to cast Pitt (perhaps made by Pitt himself in his role as producer) has had repercussions outside of the film itself, as a poster advertising 12 Years a Slave's Italian release featured a huge headshot of Pitt looming over a much smaller full-body profile of Ejiofor. The poster was quickly recalled, but not before it led to a backlash from critics who felt the marketing was focusing on the film's white stars (there was also a poster featuring Michael Fassbender, who at least has a lot of screen time) at the expense of its two black leads, Ejiofor and Lupita Nyong'o. The poster was made by a third-party distributor and reflects a long-term problem Hollywood has had in marketing films focusing on people of color, particularly in international markets.
3.	Recently, Phil Robertson, one of the stars of the astoundingly popular A&E television show Duck Dynasty, gave an interview to GQ in which he said (among many other things) that: "I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field. . . . They're singing and happy. I never heard one of them, one black person, say, 'I tell you what: These doggone white people'—not a word! . . . Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues." See Drew Magary, "Duck Dynasty's Phil Robertson Gives Drew Magary a Tour," GQ, January 2014, http://www.gq.com/entertainment/television/201401/duck-dynasty-phil-robertson.

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