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The Crowd He Becomes

...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...

Shadows along the Waccamaw

Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...

Selma Bridge: Always Under Construction

...Find 'Forgotten' America," New York Times, April 22, 2008. The Bloody Sunday beatings, by Dallas County deputies and Alabama state troopers, provoked international outrage, led to the Selma to Montgomery...

No Country for Old Hippies: Jason Mellard's Progressive Country

...(a 1978 Broadway play adapted for film in 1982) and Urban Cowboy (1980), as well as the television soap opera Dallas (1978–1991), connecting these representations of Texas popular culture to...

The US South and the 2008 Election

...defense spending and the Sunbelt got the disproportionate share, whether it was defense contractors in southern California, aircraft manufacturers in Dallas and Atlanta, or nuclear reactors in South Carolina. As...

The Bulletin—July 2, 2013

...Dallas County. During sentencing, prosecutors alleged that she had also stabbed to death two elderly women, and the jury sentenced her to die by lethal injection. Governor Rick Perry has...

Editors

...Episode Three, "Massive Resistance," was an Emmy Nominee for 2000 from the Washington, DC, chapter of the National Academy of Television Arts and Sciences. He is co-author with Edward L....

An Excerpt from Inseparable: The Original Siamese Twins and Their Rendezvous with American History

...however, something unexpected happened. An African American named Brenda Ethridge stepped up to the microphone. She introduced herself as a descendant of Aunt Grace, the first slave owned by Chang...

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...

Residues of Border Control

...Sheet," (Washington, DC: National Immigration Forum, 2009). Susan Harbage Page, Department of Homeland Security box with contents, Matamoros, Mexico, 2010. Susan Harbage Page, Garbage can with evidence bags, Matamoros, Mexico, 2010....

References
1.	All photographs: Susan Harbage Page, Chapel Hill, North Carolina. Copyright © 2009 and 2010. All rights reserved.
2.	Judith Butler, Frames of War. When Is Life Grievable (London: Verso, 2009), 25.
3.	Arizona Senate Bill 1070, signed into law on April 23, 2010, controversially makes it a misdemeanor to be an alien in Arizona without carrying registration documents and requires law enforcement officials to determine a person's immigration status if there is "reasonable suspicion" that the person is an "illegal alien." It also establishes penalties for harboring or transporting an undocumented immigrant and allows law enforcement to arrest any individual without warrant if they believe this person is “removable from the United States."
4.	Spencer S. Hsu and Andrew Becker, "ICE Officials Set Quotas to Deport More Illegal Immigrants," The Washington Post, March 27, 2010.
5.	The practice of formally detaining border crossers (as opposed to simply returning them across the border) has become more prevalent since the implementation of Operation Streamline in 2005. See ACLU and National Immigration Forum, "Operation Streamline Fact Sheet," (Washington, DC: National Immigration Forum, 2009).
6.	The map traces the journeys into the United States of members of an adult ESL course Harbage Page taught with Lauren McGrail and Dani Moore called Project Focus. It was a collaboration between Voices and Casa Multicultural and was funded by the North Carolina Community College System and the Durham Arts Council, 2000. The image is a page from an alphabet book produced in class. The maps are Polaroid images of a large map in the classroom where each student marked their journey from their home country to Durham, North Carolina with string. The writing was done by Guillermina Flores Godinez.
7.	Migration Policy Institute, “States Ranked by Percentage Change in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). These figures explain why the South has been identified as one of the “new” immigration destinations, areas that, unlike California, Florida, New York, and Texas, were not traditional “immigrant states” until the last two decades. Jamie Winders refers to the US South as one of the “nontraditional” destinations for the Latino immigrant population, whose rates of growth have reached up to 500% in certain cities between 1990 and 2005. Jamie Winders, "Changing Politics of Race and Region: Latino Migration to the U.S. South," Progress in Human Geography 29, no. 6 (2005): 683-4. The 2010 census reflects this phenomenon, showing that those “areas that had been home to the most immigrants” show a flat growth in “foreign born population” while some rural and suburban areas with less than 5% of immigrant population in 2000 show increases of more than 60%. Sabrina Tavernise and Robert Gebeloff, "Immigrants Make Paths to Suburbia, Not Cities," in The New York Times (New York: 2010).
8.	Migration Policy Institute, “States Ranked by Numeric Difference in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). The Pew Hispanic Center 2010 census tabulations of growth in Hispanic population (i.e., not necessarily foreign born) show that South Carolina, Alabama, Tennessee, Kentucky, Arkansas, North Carolina, and Mississippi figure among the top ten states. Immigrants from Mexico, the Caribbean, Central America and South America constitute approximately 53% of the total foreign born population. In Georgia, Virginia, and North Carolina they make up 54.5%, 36.1%, and 57.3%, respectively. See Tables 3 and 13 in Pew Hispanic Center “Statistical Portrait of the Foreign Born Population in the United States, 2009” in Pew Hispanic Center February 17 (Pew Research Center, 2011).
9.	Nicholas De Genova, "The Legal Production of Mexican/Migrant "Illegality"," Latino Studies 2, no. 2 (2004), Guillermina Gina Núñez and Josiah McC. Heyman, "Entrapment Processes and Immigrant Communities in a Time of Heightened Border Vigilance," Human Organization 66, no. 4 (2007); Inés Valdez, "Sovereignty and the City: Raiding, Detaining, and Domestic Immigration Policing" (paper presented at the Annual Meeting of the Western Political Science Association, San Francisco, April 3-5 2010); Mathew Coleman, "The "Local" Migration State: The Site Specific Devolution of Immigration Enforcement in the US South," Law & Policy forthcoming (2011).
10.	Desmond King and Inés Valdez, "From Workers to Enemies. National Security, State Building and America’s War on Illegal Immigrants," in Narrating Peoplehood in Plural Societies: The United States, Canada and Denmark in Historical Experience and Theoretical Perspective, ed. Michael Bøss (Aarhus: Aarhus Academic Press, 2011).
11.	President Reagan launched the project of the museum on occasion of the centennial of the Statue of Liberty in 1986. He moved Ellis Island to the purview of the National Park Service, merged it with the Statue of Liberty and created a public-private partnership that was led by Lee Iacocca, himself the son of an immigrant and the American dream come true. Luke Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," Social & Cultural Geography 5, no. 3 (2004).
12.	De Genova, "The Legal Production of Mexican/Migrant 'Illegality.'", Judith Smith, "Celebrating Immigration History at Ellis Island," American Quarterly 44, no. 1 (1992): 85.
13.	Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," 437.
14.	A wall with over 700,000 names (at the time of writing) exists in Ellis Island. Individuals or families can add their names for a fee of $150. Entries are received for all ports of entry and years of arrival, with the common element being the “celebration of American migration” (see the museum’s site for the wall of honor). The opening of the “wall” to all immigrants is significant and worthy of praise, yet the story that is portrayed by the museum is still devoted to the earlier migratory wave, one restricted in time and not predominantly originating in the Western Hemisphere.
15.	The photographs in fact represent the physical archive that is being created and kept by Harbage Page.

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