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Making Space: A Review of Robert Paulett's An Empire of Small Places

...Map Division, 2009582407. John Mitchell, A map of the British and French dominions in North America, with the roads, distances, limits, and extent of the settlements, 1755. Library of Congress...

Counterblast: How the Atlanta Temple Bombing Strengthened the Civil Rights Cause

...federal authorities to extend their influence over local and state affairs.20John G. Crommelin to J. Edgar Hoover, November 1, 1958, John Crommelin Federal Bureau of Investigation File. The trial of...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...on the St. Johns River: John and William Bartram (Gainesville: University of Florida Press, 2016). He recently published a series of travel and place-based essays that explain why he loves...

New Patterns of Segregation: Latino and African American Students in Metro Atlanta High Schools

...For example, researchers calculate the number of Latinos attending schools with more than 50% minority enrollments in district X divided by the total number of Latinos in school district X....

Low Country Travelers: An African American Car Club of Charleston County, South Carolina

John McWilliams, Hampton Plantation, McClellanville, South Carolina, 1973. In the early 1970s, John was teaching photography at Georgia State University when we discovered McClellanville through Robert Frank’s photograph “Barber shop...

Nascent Nations: A Review of Chiefdoms, Collapse, and Coalescence in the Early American South

Review When Hernando de Soto's army of six hundred soldiers reached the middle Savannah River in 1540, arriving in what is today South Carolina and Georgia, they likely thought they...

Three Black Towns: An Excerpt from Black Landscapes Matter

Excerpt After the end of the Civil War, recently freed Black people endeavored to create their own communities. During Reconstruction, and with newfound access to political and economic power, Black...

Gold Records in Deep Space

...Wim Wenders handled the fourth episode, The Soul of a Man (2003), devoted to his three favorite blues artists: Blind Willie Johnson, Skip James, and J.B. Lenoir. Wenders' film, however,...

References
1.	Eric Foner, Reconstruction: America's Unfinished Revolution, 1863–1877 (New York: Harper and Row, 1988).
2.	Shawn Lay, The Invisible Empire in the West: Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s, ed. Shawn Lay (Urbana: University of Illinois Press, 1992): 56.
3.	Mark Auslander, "Driving Back into the Light: Traversing Life and Death in a Lynching Reenactment by African Americans," in Vehicles: Cars, Canoes and other Metaphors of Moral Imagination, eds. David Lipset and Richard Handler (New York: Berghahn Books, 2014): 178–193.
4.	Teresa Lenox, "The Carver Village Controversy," Tequesta: The Journal of the Historical Museum of South Florida, no. 50 (1990): 39–51.
5.	Robert Franklin Williams, Negroes with Guns (Detroit: Wayne State University Press, 1962): xiv. In July 1965, gunfire from the Deacons for Defense and Justice dispersed a Klan motorcade firing shots at African American homes in Bogalusa, Louisiana.[fn]Christopher B. Strain, "'We Walked Like Men': The Deacons for Defense and Justice," Louisiana History: The Journal of the Louisiana Historical Association 38, no. 1 (1997): 43.
6.	David Cunningham, There's Something Happening Here: The New Left, the Klan, and FBI Counter-Intelligence (Berkeley: University of California Press, 2005).
7.	Mark Auslander, "'Holding on to Those Who Can't Be Held'": Reenacting a Lynching at Moore's Ford, Georgia," Southern Spaces, November 8, 2010, https://southernspaces.org/2010/holding-those-who-cant-be-held-reenacting-lynching-moores-ford-georgia.
8.	Although opponents of the flag often assume it was used by the Ku Klux Klan from the time of the organization's founding in 1865, there is little evidence that the Klan used the flag until the 1940s (John Coski,The Confederate Battle Flag: America's Most Embattled Emblem [Cambridge: Belknap Press of Harvard University Press, 2005]: 85–96.) To be sure, the founders of the first Klan were Confederate veterans and honored the memory of the Lost Cause, and many second Klan members from 1915 through World War II felt great loyalty to the memory of the Confederacy, but they appear to have shared the prevailing white Southern sentiment that the flag was best reserved for honoring the Confederate dead in cemeteries and in solemn commemorative marches. From the time of General Robert E. Lee's surrender at Appomattox until the mid-1940s, the flag was largely under the control of heritage organizations such as the Sons of Confederate Veterans and the United Daughters of the Confederacy. From 1945 onwards, the revised Klan made extensive use of the Confederate battle flag, at times in conjunction with cross burnings at Stone Mountain and other sites. Following the war, members of the elite white fraternity Kappa Alpha increasingly displayed the flag at football games and in "Old South" processions. The rise in public flag display coincided with growing white southern resistance to Truman's civil rights proposals. The flag was widely used in the 1948 National States Rights Democratic Party, the "Dixiecrats," although it was never adopted as the party's official emblem. By 1951, Roy V. Harris, editor of the Augusta Courier and former speaker of the Georgia House of Representatives would write that the flag, "is becoming to be [sic] the symbol of the white race and the cause of the white people. The Confederate flag means segregation" (Coski, 137).
9.	Coski, 126.
10.	Auslander, "Driving Back into the Light," and "'Holding on to Those Who Can't Be Held.'"
11.	Gwendolyn Brooks, "The Chicago Defender Sends a Man to Little Rock, Fall 1957," in The Bean Eaters (New York: Harper, 1960).
12.	Laura Wexler, Fire in a Canebrake: The Last Mass Lynching in America (New York: Scribner, 2003).

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