Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...his voice," as Comentale explains, "or, rather, he declaimed it—he sang it in order to free it, in an open, vital process, one that asserted, with each refrain, the utterly...
Nowhere [yet Everywhere] in the World: Cuban History and Sexuality in the Dramas of Abel González Melo
...Virgilio Piñera (1912–1979), Abelardo Estorino (1925–2013), and Antón Arrufat (1935–) suffered tremendously under this censure, as much for their insistence on creative freedom as for their homosexuality. Surrounded by a...
Geographies of Hope and Despair: Atlanta's African American, Latino, and White Day Laborers
...United States free of debt, Francisco decided not to pay a coyote (or a "pollero" as some border crossers call them) to help him get from Santa Cruz, Guatemala to...
Envisioning Faulkner and Southern Literature
...and crafts movement and other pottery-based art forms, see Susan Donaldson's "Cracked Urns: Faulkner, Gender, and Art in the South," in Faulkner and the Artist: Faulkner and Yoknapatawpha, 1993 (Jackson:...
Segregation's New Geography: The Atlanta Metro Region, Race, and the Declining Prospects for Upward Mobility
...decades ago. The recent history of the Atlanta Metropolitan Statistical Area (MSA)3Officially the Atlanta-Sandy Springs-Roswell, GA Metropolitan Statistical Area, the "metro Atlanta" region includes the following twenty-eight counties: Barrow, Bartow,...
Three Black Towns: An Excerpt from Black Landscapes Matter
After the end of the Civil War, recently freed Black people endeavored to create their own communities. During Reconstruction, and with newfound access to political and economic power, Black towns...
Documenting Migrants: An Interview with Charles D. Thompson
...third film, We Shall Not Be Moved, about black farmers with whom I had worked when I was at the Rural Advancement Fund. It's available for streaming free on Folkstreams....
Unquiet Emmett Till
...haunted a whole generation of people, especially those who became activists in the Freedom Struggle. Darryl Mace's In Remembrance of Emmett Till: Regional Stories and Media Responses to the Black...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...in a mode promoting social justice and change for all LGBTQ+ people. My wrist might not be ‘stiff’ in the way my dad intended, but I think my artistic mission...
Petrochemical America, Petrochemical Addiction
...A Review by Gwen Ottinger Pipeline and River Road, Donaldsonville, Louisiana, 2010. Photograph by Richard Misrach. Courtesy of Pace/MacGill Gallery, New York; Fraenkel Gallery, San Francisco; and Marc Selwyn Gallery,...