The "Achilles' Heel" of Jim Crow: A Review of Landscapes of Exclusion
...American Landscape History's "Designing the American Park" series, a collection devoted to exploring aspects of North American park history which, as series editor Ethan Carr explains in the preface, "remain...
Vivir en las Fronteras: Inmigrantes Maya de Guatemala en el Sur de los Estados Unidos
...Latin American Immigration to Atlanta,” Southern Spaces, May 19, 2006, https://southernspaces.org/2006/global-lives-local-struggles-latin-american-immigrants-atlanta; Odem and Lacy, Latino Immigration and the Transformation of the U.S. South. return to top Una Segunda Ola de...
Separate and Unequal Schools: The Past Is Future
...no reliable data on the number of children with special needs enrolled in private schools. A small number were established to serve special needs students, but the vast majority do...
Ways of Unseeing: Crowdsourcing the Frame in Roger May's Looking at Appalachia
...people have drawn on a limited number of tropes. Whether Bayard Wootten's photographic illustrations for Cabins in the Laurel,1Muriel Earley Sheppard, Cabins in the Laurel (Chapel Hill: University of North...
The South as Foil: A Review of This Is Not Dixie
...frame and explored violence directed against racial and ethnic groups other than African Americans.2See William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (Charlottesville:...
Loving-Moonlight(ing): Cinema in the Breach
...motif of water breaching signifies the larger perplexity of "rootedness" and fixity for all African Americans with ancestors forcibly brought to American shores. How can anyone find stasis out of...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
Introduction: Shooting the Chutes at Early American Amusement Parks Lakewood Park's Shoot-the-Chutes, Atlanta, Georgia, ca. 1895. "The Shoot-the-Chutes ride at Lakewood Park was originally at the Atlanta International Cotton States...
"Out Yonder on the Road": Working Class Self-Representation and the 1939 Roadside Demonstration in Southeast Missouri
...had no place to lay their heads. But would Americans in 1939 behave like most of the Samaritans had done and turn them away? Or would Americans respond like the...
Envisioning Faulkner and Southern Literature
...African American art, see Rachel Farebrother's The Collage Aesthetic in the Harlem Renaissance (London: Ashgate, 2009). Toomer claimed that he was a "new American," and wanted to be true to...
Prop Master at Charleston's Gibbes Museum of Art
...was African American. The stacked rows of small black boxes that support the platform suggest the unacknowledged role of African Americans in upholding this culture and sustaining its economic structure....