Three Black Towns: An Excerpt from Black Landscapes Matter
...by Black Americans in 1887, represents not only the historical significance of free Black towns but also the contemporary roles Black landscape architects can play in their protection and growth....
Ways of Unseeing: Crowdsourcing the Frame in Roger May's Looking at Appalachia
...people have drawn on a limited number of tropes. Whether Bayard Wootten's photographic illustrations for Cabins in the Laurel,1Muriel Earley Sheppard, Cabins in the Laurel (Chapel Hill: University of North...
Vivir en las Fronteras: Inmigrantes Maya de Guatemala en el Sur de los Estados Unidos
...Latin American Immigration to Atlanta,” Southern Spaces, May 19, 2006, https://southernspaces.org/2006/global-lives-local-struggles-latin-american-immigrants-atlanta; Odem and Lacy, Latino Immigration and the Transformation of the U.S. South. return to top Una Segunda Ola de...
"Out Yonder on the Road": Working Class Self-Representation and the 1939 Roadside Demonstration in Southeast Missouri
...had no place to lay their heads. But would Americans in 1939 behave like most of the Samaritans had done and turn them away? Or would Americans respond like the...
The South as Foil: A Review of This Is Not Dixie
...frame and explored violence directed against racial and ethnic groups other than African Americans.2See William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (Charlottesville:...
Loving-Moonlight(ing): Cinema in the Breach
...motif of water breaching signifies the larger perplexity of "rootedness" and fixity for all African Americans with ancestors forcibly brought to American shores. How can anyone find stasis out of...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
Introduction: Shooting the Chutes at Early American Amusement Parks Lakewood Park's Shoot-the-Chutes, Atlanta, Georgia, ca. 1895. "The Shoot-the-Chutes ride at Lakewood Park was originally at the Atlanta International Cotton States...
Envisioning Faulkner and Southern Literature
...African American art, see Rachel Farebrother's The Collage Aesthetic in the Harlem Renaissance (London: Ashgate, 2009). Toomer claimed that he was a "new American," and wanted to be true to...
Prop Master at Charleston's Gibbes Museum of Art
...was African American. The stacked rows of small black boxes that support the platform suggest the unacknowledged role of African Americans in upholding this culture and sustaining its economic structure....
African Americans in Atlanta: Community Building in a New South City
...old racial order. The city's African American population contended with the framework of this struggle. In 1870, Blacks accounted for nearly half of Atlanta's population. As free persons they competed...